new release, Review

✍🏻 Professor Romance’s Reviews: K.A. Tucker’s Release Me, book 1 of The Wolf Hotel Mermaid Beach series ✍🏻

Cover of K.A. Tucker's novel 'Release Me' featuring the title, author's name, and a 'Please Do Not Disturb' tag, displayed on a book and a smartphone.

Overall Grade: B-

K.A. Tucker’s Release Me launches The Wolf Hotel Mermaid Beach spinoff series with characteristic sensuality and narrative ambition, though structural choices prevent it from achieving its full potential. As the first installment in this new series, the novel demonstrates Tucker’s remarkable versatility as an author capable of seamlessly transitioning between fantasy, contemporary romance, and romantic comedy while maintaining her distinctive voice throughout.

The novel’s greatest strength lies in Tucker’s continued exploration of Ronan’s character evolution following the events of the original Wolf Hotel series. Post-Abbi, Ronan undergoes significant introspection, recognizing his desire for something more substantial than his previous hedonistic lifestyle. Tucker skillfully maintains the sensual provocativeness that defined the original series while suggesting a meaningful departure from it, creating narrative continuity that will satisfy existing fans while attracting new readers.

Connor’s role as Ronan’s sergeant-in-arms provides essential comedic balance to the story’s more serious emotional undertones. His humorous perspective serves as an effective counterpoint to Ronan’s increasingly introspective nature, demonstrating Tucker’s understanding of how supporting characters can enhance rather than overshadow the main narrative. This dynamic partnership adds depth to both characters while maintaining the series’ established tone.

The introduction of Ryan and Sloane as foils to Ronan’s journey represents sophisticated character development. Through their interactions, Tucker challenges Ronan’s perceived identity as a commitment-phobic playboy, revealing the underlying monogamous nature that has been obscured by his previous behavior. This psychological complexity elevates Ronan beyond simple romantic archetype, suggesting emotional depths that promise significant character growth in future installments.

The enemies to lovers dynamic between Sloane and Ronan, framed within the small business versus corporate expansion conflict involving Henry Wolf’s empire, provides compelling dramatic tension. This storyline taps into contemporary economic anxieties while maintaining the series’ romantic focus, creating stakes that extend beyond personal relationships into broader questions of community and corporate responsibility.

However, Release Me suffers from significant structural problems that undermine its narrative effectiveness. Tucker’s decision to incorporate a previously published novella as Part 1 creates a fractured reading experience that detracts from the central Sloane and Ronan storyline. While this novella provides background context for Ronan’s character and introduces Ryan, Connor’s sister, it ultimately dilutes focus from what should be the novel’s primary romantic arc.

The situationship between Ronan and Ryan, while emotionally authentic, feels tangential to the more compelling enemies-to-lovers plot involving Sloane. The temporal placement of this relationship before the events of the original Wolf Hotel series creates unnecessary complexity without adding substantial value to the current narrative. This structural choice makes the novel feel cobbled together rather than purposefully constructed.

The second significant weakness involves Ronan’s character development in the novel’s latter half. Despite Tucker’s evident understanding of his psychological complexity, the characterization remains frustratingly surface level. The cliffhanger ending, while creating anticipation for the sequel, leaves readers without sufficient emotional investment in Ronan’s journey. A more fully developed single volume would have better served both character development and reader satisfaction.

The underdevelopment of Ronan’s character arc represents a missed opportunity, particularly given Tucker’s demonstrated skill in creating psychologically complex male characters. The depth suggested by his post-Abbi transformation deserves more thorough exploration than the novel’s structure allows, leaving readers with tantalizing glimpses of character growth rather than substantial development.

Despite these structural limitations, Release Me succeeds in establishing the foundation for what promises to be an engaging series. Tucker’s ability to maintain the sensual intensity of the original Wolf Hotel series while exploring new emotional territory demonstrates her prowess as a writer. The novel’s exploration of themes beyond romantic relationships, including questions of personal growth and corporate responsibility, suggests ambitious storytelling goals for the series.

The anticipation for Save Me remains high, as Tucker has established compelling plot lines that promise significant developments for both Ronan and Sloane. The potential for deeper character exploration in future installments, combined with the series’ established strengths, suggests that subsequent volumes may fulfill the promise that Release Me establishes but does not fully realize.

K.A. Tucker’s Release Me earns a solid B- for its ambitious scope and promising foundation, despite structural weaknesses that prevent it from achieving its full potential. Fans of the Wolf Hotel series will find enough familiar elements to maintain their investment, while new readers will discover a sensually engaging romance with broader thematic ambitions. The Wolf Hotel Mermaid Beach spinoff series demonstrates significant promise for future development, making this an essential read for Tucker’s dedicated readership.

In love and romance,

Professor A

new release, Review

✍🏻 Professor Romance’s Reviews: L.B. Dunbar’s Sterling Touch, book 6 of her Sterling Falls series ✍🏻

Book cover for 'Sterling Touch' by L.B. Dunbar, featuring a couple in a romantic embrace with soft lighting and decorative lights in the background.

Overall Grade: B

Tropes: single mom; band of brothers (sister); brother’s former best friend turned enemy; small town; second chance; forbidden romance

L.B. Dunbar’s Sterling Touch represents a solid addition to the Sterling Falls series, earning a well-deserved four-star rating as the sixth installment in this compelling family saga. Dunbar demonstrates considerable wisdom in finally granting Vale Sylver her own narrative, particularly given the series’ previous focus on the Sylver brothers. The anticipation surrounding Vale’s story proved justified, as her character deserved exploration beyond her supporting role in earlier volumes.

The strength of Sterling Touch lies in Dunbar’s continued examination of how childhood trauma reverberates through adult relationships. Vale’s character emerges from the profound absence created by her mother’s death during childbirth, leaving what can only be described as a “mother-shaped hole” in her emotional landscape. The author skillfully depicts how Stone Sylver and his brothers attempted to compensate for both maternal loss and paternal neglect, creating a family dynamic built on protective love but also unintended consequences.

Vale’s character development reflects this complex upbringing with remarkable authenticity. Her youthful impetuousness gradually transforms into adult caution, as she learns to prioritize her relationships with her brothers sometimes at personal cost. Dunbar captures this evolution with nuanced understanding of how family loyalty can both nurture and constrain individual growth. The psychological depth of Vale’s characterization elevates the narrative beyond typical romance conventions.

The romantic tension between Vale and Cort Haven provides the novel’s central conflict through the forbidden attraction trope. Cort’s status as Stone’s former best friend turned enemy creates immediate dramatic potential, and Dunbar exploits this tension effectively. However, the necessities of maintaining secrecy inherent to this trope create communication barriers that occasionally feel artificial. While adult characters maintaining clandestine relationships to avoid family conflict serves the story’s dramatic needs, it sometimes undermines the emotional authenticity that otherwise characterizes Dunbar’s writing.

The repetitive nature of Vale and Cort’s secret meetings becomes apparent as the narrative progresses, representing one of the novel’s structural weaknesses. The cycle of attraction, guilt, and concealment, while emotionally resonant initially, loses impact through repetition. This pacing issue prevents the story from maintaining consistent momentum throughout its development.

Cort’s character arc provides significant emotional weight to the narrative. His estrangement from Stone Sylver carries genuine consequences that have shaped his adult identity, and Dunbar explores the psychological toll of prolonged guilt and isolation with considerable skill. The parallel journeys of Vale and Cort toward self-forgiveness create the novel’s most compelling thematic element. Their mutual recognition that past mistakes need not dictate present choices offers a powerful message about redemption and personal growth.

The supporting cast of Sylver siblings and their partners continues to provide one of the series’ greatest strengths. Their interventions in Vale and Cort’s relationship feel organic rather than contrived, and their collective wisdom serves both character development and plot advancement. The family dynamics remain believable despite the dramatic circumstances, a testament to Dunbar’s understanding of sibling relationships.

Sterling Touch succeeds in its exploration of middle-aged romance, a demographic often underserved in contemporary fiction. Dunbar’s commitment to mature characters facing realistic emotional challenges distinguishes her work within the romance genre. The potential for expanding into a Haven family series based on the groundwork laid in this novel suggests promising future developments.

The novel’s exploration of how individuals can overcome their formative traumas while preserving essential family bonds offers profound emotional resonance. Vale and Cort’s journey toward authentic communication and mutual acceptance offers hope without sacrificing the complexity that makes their relationship all the more compelling.

While Sterling Touch occasionally suffers from the structural limitations of its chosen tropes, Dunbar’s skillful character development and thematic depth create a satisfying reading experience. The novel succeeds both as a standalone romance and as a meaningful contribution to the Sterling Falls series, confirming Dunbar’s ability to craft emotionally authentic stories that honor both individual growth and family loyalty.

In love and romance,

Professor A

new release

✍🏻 Harlow, the girly girl + Javi, the alpha-male with a heart of gold = the perfection of Kristen Ashley’s storytelling in Avenging Angels: Tenderfoot. If you’re a Rock Chick/Hot Bunch fiend, you NEED this book to read right now! ✍🏻

She wants the perfect love story.

He’s gonna give it to her.

Book cover for 'Tenderfoot' from the Avenging Angels Series by Kristen Ashley, featuring the title 'AVENGING ANGEL' prominently displayed with a pink and clear perfume bottle in the center.

Avenging Angels: Tenderfoot, an all-new swoon-filled, action-packed romantic comedy and third interconnected standalone book in the Avenging Angel Series from New York Times bestselling author Kristen Ashley is now live!

Harlow O’Neill is waiting for Javier Montoya to make his move. She has it bad for the gorgeous new investigator at Nightingale Investigations and Security. She’s sure he knows it. She’s also sure he’s just as into her.

And she’s read the Rock Chick books. She knows how those Hottie Squad men are supposed to win their women.

Javi is just not trying to win her.

Then one evening Harlow is undercover on a mission for the Avenging Angels, and Javi blows her cover. She’s not happy about it. They share words and some of the ones Javi uses aren’t all that great.

Harlow retreats. Javi goes on the advance.

And the man Harlow was investigating winds up dead.

The Angels go all in to discover what’s happening with a dating app scam that ended up with a dead guy. The Nightingale men aren’t fans of the women wading in on such a dangerous case, and they’re doing something about it.

It’s a race between the Angels and the Hottie Squad as to who’s going to solve the mystery.

While all of that happens, Javi’s not taking any chances with Harlow’s safety. He moves her into his place and Harlow learns firsthand what it means to be in the romantic crosshairs of a member of the Hottie Squad…and the heartbreaking reasons why Javi kept her at arm’s length.

Promotional graphic for "Avenging Angels: Tenderfoot" featuring the book cover, a tablet, a smartphone, and an audiobook player, with a purple background and quote overlay.

Start reading today!

Amazon: https://amzn.to/4bZZjAk

Amazon Worldwide: https://mybook.to/Tenderfoot

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Listen on audio narrated by Stella Bloom!

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Start the series of interconnected standalones with Avenging Angelhttps://bit.ly/3NCusOX

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new release

✍🏻 Calder and Dakota are pure bantery foreplay. If you love some hate to love/enemies to lovers with a side of mountain man, cat-daddy, you MUST grab Seven Year Itch by Amy Daws! You will gobble this story up! ✍🏻

Illustration for the book 'Seven Year Itch' by Amy Daws, featuring a stylized mountain man and a blonde woman, both smiling, against a backdrop of trees and a sunset. The text highlights the book's availability in print, ebook, and audio formats.

Title: SEVEN YEAR ITCH

Author: Amy Daws
Genre: Romantic Comedy
Release Date: June 17th, 2025

Publisher: Canary Street Press

Book cover for 'Seven Year Itch' by Amy Daws, featuring a tattooed man and a woman in a romantic setting with pine trees and mountains in the background. The title is prominently displayed along with 'Now Available' text.

Alone and Looking to Bone! Loudmouthed Mountain Man Seeks Fiery Woman to Grow Old With.

I might look like a tall, tattooed, bearded neanderthal…but like an onion, I have layers. Swipe right if you like a proud cat daddy who catches feelings after direct eye contact.

All I wanted was a casual plus-one to my brother’s destination wedding, but those idiots on my family tree hacked my dating profile and sabotaged my quest for the perfect weekend fling. Now I’m stuck on a tropical vacation with only my hand to keep me company.

Until I’m forced to share a room with the bane of my existence: my sister-in-law’s best friend.

Dakota has hated me for the past seven years. I wasn’t losing much sleep over her screaming rants because she was some other guy’s problem. Or she was, until she got divorced.

Being stuck in paradise with a woman who loathes your very existence doesn’t sound hot, but after an unexpected moment in our shared palapa, she starts screaming at me in a different way.

What happens in paradise stays in paradise. That is, until Dakota shows up on my mountain with a proposition: be her wingman to help her regain her pre-divorce confidence.

Suddenly, Dakota’s not just the person I love to fight with. 

She’s the woman I want everything with.

🐈‍⬛⛰️🐈‍⬛ ⛰️🐈‍⬛
Amazon: https://geni.us/SYI-NewRelease

Other Retailers: https://geni.us/SYI-AllRetailers

Listen to Duet Audio Here: https://bit.ly/SYI-Audio

Book cover for 'Seven Year Itch' by Amy Daws featuring a bearded man in plaid and a blonde woman in a white shirt, set against a rural mountain backdrop with trees and a cabin.
A colorful illustration depicting a romantic scene from 'Seven Year Itch' with a tattooed man and a blonde woman. The typography highlights microtropes related to their relationship, including phrases like 'Caretaking while drunk' and 'Hot tub shenanigans.'

Excerpt #1

“I think we should be friends with benefits,” the mountain man says as he drives down the interstate that leads us back to Boulder.

“But…we’re not friends,” I blurt out as I turn to look at him to make sure he hasn’t been possessed by a demon.

He shrugs. “Semantics.”

My mouth opens and closes over and over like one of those silly singing bass wall hangings. He’s got to be messing with me right now, right? He doesn’t sleep with women more than once…at least not on purpose. “So instead of being my wingman, you want to be my eff buddy?”

“If you’re intent on a label, you can call us enemies with benefits.” He smiles like he’s casually talking about the weather. “It’s honestly genius because if you’re friends with benefits, feelings are bound to get involved because you both already like each other. You hating me makes this much easier.”

“Don’t you think we need to get along for something like this to actually work?”

“Got along just fine ten minutes ago at that adults only club.” Calder shoots me a dark look that I feel squarely between my legs. “Just consider me your emotionally distant private masseuse.”

My mind reels with this proposition that I did not have on my bingo card in my postdivorce era. A casual affair with Calder Fletcher…the contractor who ruined my house and my wedding dress seven years ago. It sounds like a horrible idea that’s sure to end in catastrophe.

Then again, it also sounds kind of poetic in some strange way. It’s like revenge or something. And he’s not the same guy he was seven years ago. I’ve seen that in more ways than one the past few weeks.

I shake that thought away, trying not to let my heart get too involved with this discussion. “I thought you never hook up with girls twice.”

“I don’t usually, but it’s not really a rule I have.”

“So I would be an exception?”

Calder’s jaw muscle twitches. “Sure, Ace. You’re an exception.”

“Why exactly am I the exception?”

He exhales. “I just think you’ve been out of the game for a while, and jumping headfirst into an adult club is too risky.”

“Risky.”

“You have to walk before you can run,” he adds with a smirk that sends my belly into somersaults. “And with any luck, even walking with be hard when I’m done with you.”

Buy Now→ https://geni.us/SYI-NewRelease

Promotional image featuring two book covers by author Amy Daws: 'Nine Month Contract' on the left and 'Seven Year Itch' on the right, with themed tags highlighting the genres and tropes.

ABOUT THE AUTHOR

Portrait of an author smiling and posing confidently with arms crossed, wearing a stylish off-the-shoulder top.

Number 1 Amazon Bestselling author Amy Daws writes spicy love stories that take place in America, as well as across the pond. She’s most known for her footy-playing Harris Brothers and writing in a tire shop waiting room. When Amy is not writing, she’s likely making charcuterie boards from her home in South Dakota where she lives with her daughter and husband.

Follow Amy on all social media channels, including Tik Tok under @amydawsauthor

For more of Amy’s work, visit: http://www.amydawsauthor.com

STALKER LINKS:

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new release

✍🏻 Vi Keeland’s second thriller is HERE. This one will keep you guessing…Grab Someone Knows TODAY! ✍🏻

Title: Someone Knows
Author: Vi Keeland
Publisher: S&S/Emily Bestler Books
Genre: Standalone Thriller
Release Date: June 17, 2025
BLURB
As a college English professor, Elizabeth looks forward to the start of each new semester teaching her creative writing seminar. At least until she reads chapter one of The Reckoning, a tale about a high school senior who has an affair with her teacher. To anyone else it would be the beginning of a great page-turner, but to Elizabeth it is the beginning of the end.
She knows this story. It’s all familiar because she lived it. The girl in the story was her best friend Jocelyn, and Elizabeth knows exactly how the story will end—with the teacher dead. Because she was the one who killed him.
Someone knows what Elizabeth did twenty years ago and her secret is about to be exposed, but who is the mystery student submitting the chapters? In an effort to find out, Elizabeth returns to her Louisiana hometown where it soon becomes clear that no matter how many years have gone by, she can’t escape her past.
PURCHASE LINKS
AUTHOR BIO
Vi Keeland is a #1 New York Times, #1 Wall Street Journal, and USA Today Bestselling author. With millions of books sold, her titles are currently translated in twenty-seven languages and have appeared on bestseller lists in the US, Germany, Brazil, Bulgaria, Israel, and Hungary. Three of her short stories have been turned into films by Passionflix, and two of her books are currently optioned for movies. She resides in New York with her husband and their three children where she is living out her own happily ever after with the boy she met at age six.
AUTHOR LINKS
new release

✍🏻 Vale’s story is HERE! L.B. Dunbar’s next Sterling Falls story is LIVE! Grab Sterling Touch and fall hard for Vale and Cort, her brother’s ex-best friend. ✍🏻

Cover image for the book 'Sterling Touch' by L.B. Dunbar featuring a couple embracing in a romantic setting with the text 'Now Book Alert' and 'kindle unlimited' highlighted.

✨Let’s celebrate! It’s release day for STERLING TOUCH by L.B. Dunbar!

Grab it in KU!  #OneClickNow

https://a.co/d/8UJo6VS

Why you need to #ONECLICK this book…

🔥Forbidden Romance

🔥Age Gap

🔥Older Brother’s Former Best Friend

🔥Childhood Friends

🔥Small Town

Promotional graphic for the book 'Sterling Touch' by L.B. Dunbar, featuring a couple embracing with festive decorations in the background and highlighting themes like forbidden romance, age gap, and small town.

I wasn’t supposed to love him. I wasn’t even supposed to acknowledge him. But my entire life, I’ve had heart-eyes for my oldest brother’s former best friend, Cortland Haven.

I can’t help it that boys can be stupid, and a feud broke apart a long-time friendship and divided once-close families. 

Try as I might to ignore Cort, I didn’t miss his eyes on me from across a crowded bar, twelve years ago. Oh, the way my skin tingled under his appraisal. The way my heart pattered knowing he was looking at me.

We shared more than a moment.

Now, we’re older and wiser. And with a little over a decade age gap between us, and a divide greater than that between our families, my heart still hasn’t gotten the memo.

No, that fickle organ has other plans for Cortland and me.

Especially when the silver fox is my son’s new baseball coach and I suddenly find myself assigned as his physical therapist.

I don’t just fall for the man adverse to touch, I tumble hard for him, when he should never be mine.

Meet L.B. Dunbar:

L.B. Dunbar loves sexy silver foxes, second chances, and small towns. If you enjoy older characters in your romance reads, including a hero with a little silver in his scruff and a heroine rediscovering her worth, then welcome to romance for those over 40. L.B. Dunbar’s signature works include women and men in their prime taking another turn at love and happily ever after. She’s a USA TODAY Bestseller as well as #1 Bestseller on Amazon in Later in Life Romance with her Lakeside Cottage and Road Trips & Romance series. L.B. lives in Chicago with her own sexy silver fox.

To get all the scoop about the self-proclaimed queen of silver fox romance, join her on Facebook at Loving L.B. or receive her monthly newsletter, Love Notes.

Connect with L.B. Dunbar:

https://linktr.ee/lbdunbarwrites

new release, Review

✍🏻 Professor Romance’s Reviews: Jewel E. Ann’s A Good Book, book 3 of her Sunday Morning series ✍🏻

Cover of 'A Good Book' by Jewel E. Ann from the Sunday Morning series, featuring a woman in a floral dress standing with her back to the viewer, looking at a scenic landscape.

Overall Grade: A-/B+

“We experienced the world and the people in it in different ways.”

Jewel E. Ann’s A Good Book delivers substantial emotional depth as the third installment in her Sunday Morning series. Initial concerns about Gabby’s characterization proved unfounded, as Ann transforms what appeared to be a somewhat underdeveloped character in the previous volumes, Sunday Morning and The Apple Tree, into a compelling and multifaceted individual worthy of her own narrative arc.

The central premise of A Good Book revolves around the friends to lovers trope, a narrative device that frequently challenges contemporary romance authors. The inherent difficulty lies in establishing believable motivations for characters who have maintained platonic relationships for extended periods. Ann addresses this challenge through Ben, the male main character, who harbors romantic feelings for Gabby while simultaneously pursuing relationships with other women. His willingness to accept Gabby’s devotion to Matt simply to maintain proximity creates a potentially frustrating dynamic for readers accustomed to more direct romantic progression.

However, Ann demonstrates considerable narrative skill by revealing that Gabby has been aware of Ben’s feelings throughout their friendship, even during her preoccupation with Matt. This revelation transforms what could have been a predictable storyline into something more nuanced and emotionally authentic. The author’s ability to execute such narrative turns distinguishes her work within the romance genre and explains her dedicated readership.

The novel explores Gabby’s journey through complex themes of sexuality and religion, subjects that Ann examines through careful character development. Particularly noteworthy is the evolution of Gabby’s parents, who demonstrate growth in forgiveness and understanding compared to their treatment of Sarah in Sunday Morning and Eve in The Apple Tree. This character development represents one of the strongest elements of the narrative and illustrates Ann’s commitment to realistic family dynamics.

Ben emerges as a particularly well crafted character whose patient suffering creates both sympathy and occasional frustration. His constancy throughout the narrative provides emotional weight and demonstrates Ann’s skill in developing male characters who possess genuine emotional complexity.

Ann’s distinctive voice remains the primary strength of A Good Book. Her approach to contemporary romance differs significantly from genre conventions, as she refuses to provide easy resolutions or straightforward romantic development. Through economical prose, Ann explores fundamental truths about love and grief, themes that consistently appear throughout her contemporary romance catalog. Her willingness to challenge readers rather than simply entertain them elevates her work above typical genre offerings.

The 1980s setting, while accurately detailed and clearly drawn from personal experience, occasionally feels unnecessary to the overall narrative. The cultural references to music, fashion, and the lifestyle of the decade are meticulously researched and authentically presented, yet the temporal placement seems to serve little purpose beyond nostalgic appeal. This represents a minor criticism, as Ann’s decision to write from familiar territory rather than attempting to capture contemporary culture through a Generation X perspective demonstrates artistic integrity.

A Good Book succeeds as both a standalone romance and as part of the larger Sunday Morning series. Ann’s commitment to emotional authenticity, combined with her distinctive narrative voice, creates a reading experience that is both accessible and intellectually engaging. The novel challenges conventional romance expectations while delivering the emotional satisfaction that genre readers expect.

This reviewer awards A Good Book 4.5 stars and recommends it enthusiastically to readers seeking contemporary romance that offers both entertainment and substance. Ann’s work consistently distinguishes itself through its refusal to conform to predictable patterns, making her novels both highly readable and genuinely thought-provoking additions to the romance genre.

In love and romance,

Professor A

new release, Review

✍🏻 Professor Romance’s Reviews: Karla Sorensen’s Lessons in Heartbreak ✍🏻

A shelf filled with various romance novels, prominently featuring the book 'Lessons in Heartbreak' by Karla Sorensen, alongside a playful sign stating 'reading is sexy'.

Overall Grade: A –

Tropes: pro football player MMC; small town shy librarian FMC; opposites attract; football/sports romance; small town romance;  childhood neighbors; spicy lessons

Karla Sorensen’s Lessons in Heartbreak represents a sophisticated exploration of the enemies-to-lovers romance trope, elevated by the author’s nuanced approach to character development and psychological depth. This novel showcases Sorensen’s ongoing journey as a romance novelist, presenting readers with a deliberately paced narrative that rewards careful attention to its intricate character dynamics.

Unlike Sorensen’s typically fast-paced works, Lessons in Heartbreak adopts a more measured approach that serves its thematic content well. The slower pacing allows for the full development of the acrimonious yet increasingly amorous banter between the main characters, Griffin and Ruby. This stylistic choice transforms what could have been superficial antagonism into a rich tapestry of verbal sparring that reveals deeper character motivations and emotional vulnerabilities.

The novel’s greatest strength lies in its portrayal of Griffin’s character arc. Initially presented as an archetypal “golden retriever” personality, cheerful, uncomplicated, and deliberately surface-level, Griffin undergoes substantial psychological development throughout the narrative. Sorensen employs the effective micro-trope of the MMC lacking self-awareness who gradually develops a deeper understanding through his relationship with the FMC.

Griffin’s superficial jocularity serves as a defense mechanism against deeper emotional pain, a psychological complexity that becomes increasingly apparent as Ruby’s perspective challenges his worldview. This internal growth creates a compelling contrast with his strained relationship with his twin brother, Barrett, highlighting how genuine connection can foster personal development in ways that familial connection cannot.

Sorensen masterfully executes another sophisticated romance trope: the concept of main characters who “see” each other more clearly than anyone else can. This mutual recognition becomes particularly poignant when contrasted with Griffin’s fractured family relationships. The author demonstrates considerable skill in illustrating how true intimacy involves not just attraction but genuine understanding and acceptance of one’s partner’s authentic self.

The novel’s central conflict, Ruby’s struggle to choose love despite a health issue, creates substantial emotional stakes without relying on external dramatic devices. Sorensen constructs this internal conflict with careful attention to psychological realism, avoiding the trap of manufactured drama that often weakens contemporary romance narratives. The “soul-deep” attraction that develops between Griffin and Ruby feels earned rather than convenient, a testament to the author’s careful character building.

The ancillary characters in Lessons in Heartbreak function as more than mere comic relief or plot devices. Ruby’s best friend Lauren, Griffin’s young relatives, and his teammate, Marcus create a supporting ecosystem that enhances rather than distracts from the central romance. These characters provide both humor and emotional depth, contributing to a “found family” dynamic that enriches the journey of Griffin and Ruby.

Sorensen’s small-town setting feels authentic and lived-in, creating an immersive community atmosphere that makes readers feel genuinely connected to the story’s world. This environmental storytelling adds layers of meaning to the character development, as Griffin and Ruby’s relationship evolves within a context of genuine community belonging.

What distinguishes Lessons in Heartbreak within the romance genre is Sorensen’s commitment to emotional authenticity. The love story she constructs between Griffin and Ruby transcends simple wish fulfillment to explore the genuine challenges and rewards of intimate partnership. Her ability to create believable, aspirational romantic relationships consistently across her body of work establishes her as a significant voice in contemporary romance literature.

Griffin’s transformation from self-protective humor to genuine emotional availability represents one of the novel’s finest achievements, illustrating how love can serve as a catalyst for personal growth without requiring one partner to sacrifice their essential self.

Lessons in Heartbreak stands as an impressive work of contemporary romance that successfully balances genre conventions with literary sophistication. Sorensen’s careful attention to character psychology, her skilled deployment of beloved romance tropes, and her creation of an engaging supporting cast combine to produce a novel that satisfies both intellectually and emotionally.

For readers seeking romance fiction that offers both escapist pleasure and genuine emotional depth, Lessons in Heartbreak provides an ideal reading experience. Sorensen has crafted a love story that feels both fantastical and attainable, creating the kind of aspirational relationship dynamic that defines the best of the romance genre. This novel comes highly recommended for both devoted romance readers and those seeking an introduction to the genre’s contemporary sophistication.

In love and romance, 

Professor A

new release, Review

✍🏻 Professor Romance’s Reviews: Louise Bay’s Love Fast, book 1 of the Colorado Club Billionaires series ✍🏻

Overall Grade: B

Tropes: runaway bride; small town romance; workplace romance; billionaire MMC; he falls first

Louise Bay’s Love Fast serves as the inaugural novel in her Colorado Club Billionaires series, establishing a narrative foundation that connects to her previous New York City Billionaires collection. This crossover approach allows Bay to introduce readers to Byron, a character previously mentioned in The Hero + Vegas = No Regrets, while simultaneously constructing the framework for her new series.

Bay crafts a four star narrative that explores the relationship between Byron, a privileged billionaire, and Rosey, a woman from modest economic circumstances. The author effectively develops Byron’s backstory, creating a multidimensional character whose privileged existence is complicated by emotional trauma. This character development generates reader sympathy, establishing an emotional investment in his narrative trajectory.

The chemistry between Byron and Rosey manifests primarily through physical attraction, though Bay attempts to deepen their connection through parallel experiences of parental trauma. Both protagonists navigate complicated relationships with a parent, creating a psychological foundation for their mutual attraction beyond physical desire. This shared emotional wound becomes the central catalyst for their developing relationship.

Despite Rosey’s limited worldly experience and financial disadvantage, Bay positions her as instrumental in supporting Byron’s professional ambitions, particularly the development of his Colorado Club resort. Through this dynamic, Bay examines themes of power and privilege, interrogating how socioeconomic disparities influence intimate relationships. The author does not simply acknowledge these disparities but explores how they shape interpersonal dynamics and personal growth.

Beyond the central romance, Bay explores several compelling thematic elements. The narrative considers the nurturing potential of small town communities, illustrating how close knit social structures can support individual development. Additionally, the concept of chosen family emerges as a significant theme, particularly relevant for characters whose biological families prove dysfunctional or absent. Bay further examines how friendship networks can provide emotional sustenance in the absence of healthy parental relationships.

The primary weakness of Love Fast lies in its reliance on the instant attraction trope and the accelerated timeline of emotional development. The rapid progression from initial meeting to profound emotional connection within approximately one week strains credibility. The narrative structure follows a predictable trajectory: protagonists meet, discover physical proximity as neighbors, share innocent moments over hot chocolate, engage in physical intimacy, separate briefly, and reunite weeks later with declarations of love. This compressed emotional timeline limits the opportunity for readers to witness substantial relationship development, sacrificing emotional depth for narrative expedience.

While the instant attraction trope remains standard within the romance genre, its implementation here prioritizes physical connection over emotional evolution. The abbreviated timeline constrains the potential complexity of Byron and Rosey’s relationship, reducing what could be a nuanced exploration of class differences and emotional healing to a somewhat formulaic romantic progression.

Despite these limitations, Love Fast remains an engaging introduction to Bay’s new series. The author’s accessible prose style facilitates reader immersion, and her exploration of emotional trauma provides a counterbalance to the more conventional aspects of the narrative. The novel effectively establishes the world of the Colorado Club billionaires while maintaining connections to Bay’s existing literary universe.

For readers who appreciate romance narratives that combine elements of wealth fantasy with emotional healing, Love Fast offers a satisfying, if somewhat predictable, reading experience. Bay demonstrates particular skill in balancing moments of physical intimacy with instances of emotional vulnerability, creating a narrative that, despite its compressed timeline, delivers the emotional satisfaction characteristic of the contemporary romance genre.

The novel suggests significant potential for the Colorado Club billionaires series, establishing narrative threads and secondary characters that promise engaging future installments. While Love Fast might not transcend genre conventions, it skillfully fulfills reader expectations while laying groundwork for a potentially richer series narrative.

Love Fast represents a solid beginning to Bay’s new series, balancing familiar romance tropes with meaningful thematic exploration. Despite relying on an accelerated emotional timeline that limits character development depth, the novel successfully establishes both individual character arcs and broader series potential.

In love and romance,

Professor A

new release, Review

✍🏻 Professor Romance’s Reviews: Rebecca Jenshak’s Spotlight, book 4 of her Holland Brothers series ✍🏻

An illustration depicting two characters on a baseball field; a young man in a baseball uniform and a young woman holding a baseball bat, both smiling in a playful stance. The background features a stadium with lights and a sunset sky, and the title 'SPOTLIGHT' prominently displayed at the top.

Overall Grade: B

Tropes: single mom; pro baseball MMC; close proximity; he falls first; found family; bookish FMC

Rebecca Jenshak’s Spotlight, the fourth installment in her Holland Brothers series, presents readers with an emotionally engaging contemporary romance that balances predictable genre elements with meaningful character development. As an examination of second chances and the complexities of balancing personal dreams with familial responsibilities, the novel succeeds in delivering an accessible yet thoughtful narrative.

The plot centers on Olivia, a single mother who has resigned herself to a life without romantic partnership after numerous disappointments mainly attributed to her parental status. During a weekend getaway in New York, she encounters Flynn Holland, occupying the adjacent hotel room. Their connection is immediate and profound, culminating in a night of intimate conversation rather than physical passion. This approach offers a refreshing deviation from genre conventions wherein the MMC and FMC mix “business with pleasure.” The following morning, Olivia awakens alone and assumes abandonment, unaware that Flynn was urgently called away by his agent regarding negotiations with a major league baseball team. Upon his return, he discovers Olivia has departed, seemingly ending their brief encounter.

Months later, fate intervenes when they discover their social circles are interconnected. Olivia is the best friend of Flynn’s brother Archer’s fiancée. Flynn, having recently joined the struggling local MLB team, the Mustangs, as their rising star, pursues Olivia with determination. The narrative tension centers not on miscommunication or contrived obstacles, but on a genuine career dilemma: when Flynn receives an offer from his dream team, he must choose between professional aspiration and the newfound family connection he has established with Olivia and her daughter.

Jenshak demonstrates particular skill in character development through supporting figures. The presence of Olivia’s family, Gigi, Grandpa Earl, and Ruby, provides emotional scaffolding for her character while Earl simultaneously serves as a mentor figure for Flynn. This dual functionality in secondary characters reveals Jenshak’s narrative efficiency. Similarly, the inclusion of Flynn’s brothers from previous novels creates a sense of continuity within the series while enhancing the protagonist’s characterization.

The novel’s most compelling emotional sequence involves Flynn’s confrontation with his estranged father. Here, Jenshak elevates the narrative beyond typical romance conventions, integrating themes of generational trauma and the courage required to establish healthy boundaries. This scene exemplifies the author’s ability to weave multiple tonal elements into a cohesive whole.

Stylistically, Spotlight is accessible without sacrificing substance. Jenshak’s prose is direct and unpretentious, prioritizing narrative momentum over linguistic ornamentation. The novel never attempts to transcend its genre. Instead, it excels within established parameters, offering readers exactly what the contemporary romance format promises: emotional satisfaction, relatable conflicts, and an assured resolution.

While Spotlight does not revolutionize the romance genre, its straightforward approach to storytelling, combined with thoughtful character development and thematic exploration of family dynamics, results in a thoroughly enjoyable reading experience. The novel’s greatest strength lies in its authenticity, both in its portrayal of single motherhood and in its examination of how 

Spotlight represents a solid addition to Jenshak’s bibliography, demonstrating her consistent ability to craft emotionally resonant contemporary romance. Though it adheres closely to genre conventions without significant innovation, the novel’s well-developed characters and meaningful exploration of family relationships elevate it above many similar offerings in the contemporary romance landscape.

In love and romance,

Professor A