new release

✍🏻 Vi Keeland’s second thriller is HERE. This one will keep you guessing…Grab Someone Knows TODAY! ✍🏻

Title: Someone Knows
Author: Vi Keeland
Publisher: S&S/Emily Bestler Books
Genre: Standalone Thriller
Release Date: June 17, 2025
BLURB
As a college English professor, Elizabeth looks forward to the start of each new semester teaching her creative writing seminar. At least until she reads chapter one of The Reckoning, a tale about a high school senior who has an affair with her teacher. To anyone else it would be the beginning of a great page-turner, but to Elizabeth it is the beginning of the end.
She knows this story. It’s all familiar because she lived it. The girl in the story was her best friend Jocelyn, and Elizabeth knows exactly how the story will end—with the teacher dead. Because she was the one who killed him.
Someone knows what Elizabeth did twenty years ago and her secret is about to be exposed, but who is the mystery student submitting the chapters? In an effort to find out, Elizabeth returns to her Louisiana hometown where it soon becomes clear that no matter how many years have gone by, she can’t escape her past.
PURCHASE LINKS
AUTHOR BIO
Vi Keeland is a #1 New York Times, #1 Wall Street Journal, and USA Today Bestselling author. With millions of books sold, her titles are currently translated in twenty-seven languages and have appeared on bestseller lists in the US, Germany, Brazil, Bulgaria, Israel, and Hungary. Three of her short stories have been turned into films by Passionflix, and two of her books are currently optioned for movies. She resides in New York with her husband and their three children where she is living out her own happily ever after with the boy she met at age six.
AUTHOR LINKS
new release

✍🏻 Vale’s story is HERE! L.B. Dunbar’s next Sterling Falls story is LIVE! Grab Sterling Touch and fall hard for Vale and Cort, her brother’s ex-best friend. ✍🏻

Cover image for the book 'Sterling Touch' by L.B. Dunbar featuring a couple embracing in a romantic setting with the text 'Now Book Alert' and 'kindle unlimited' highlighted.

✨Let’s celebrate! It’s release day for STERLING TOUCH by L.B. Dunbar!

Grab it in KU!  #OneClickNow

https://a.co/d/8UJo6VS

Why you need to #ONECLICK this book…

🔥Forbidden Romance

🔥Age Gap

🔥Older Brother’s Former Best Friend

🔥Childhood Friends

🔥Small Town

Promotional graphic for the book 'Sterling Touch' by L.B. Dunbar, featuring a couple embracing with festive decorations in the background and highlighting themes like forbidden romance, age gap, and small town.

I wasn’t supposed to love him. I wasn’t even supposed to acknowledge him. But my entire life, I’ve had heart-eyes for my oldest brother’s former best friend, Cortland Haven.

I can’t help it that boys can be stupid, and a feud broke apart a long-time friendship and divided once-close families. 

Try as I might to ignore Cort, I didn’t miss his eyes on me from across a crowded bar, twelve years ago. Oh, the way my skin tingled under his appraisal. The way my heart pattered knowing he was looking at me.

We shared more than a moment.

Now, we’re older and wiser. And with a little over a decade age gap between us, and a divide greater than that between our families, my heart still hasn’t gotten the memo.

No, that fickle organ has other plans for Cortland and me.

Especially when the silver fox is my son’s new baseball coach and I suddenly find myself assigned as his physical therapist.

I don’t just fall for the man adverse to touch, I tumble hard for him, when he should never be mine.

Meet L.B. Dunbar:

L.B. Dunbar loves sexy silver foxes, second chances, and small towns. If you enjoy older characters in your romance reads, including a hero with a little silver in his scruff and a heroine rediscovering her worth, then welcome to romance for those over 40. L.B. Dunbar’s signature works include women and men in their prime taking another turn at love and happily ever after. She’s a USA TODAY Bestseller as well as #1 Bestseller on Amazon in Later in Life Romance with her Lakeside Cottage and Road Trips & Romance series. L.B. lives in Chicago with her own sexy silver fox.

To get all the scoop about the self-proclaimed queen of silver fox romance, join her on Facebook at Loving L.B. or receive her monthly newsletter, Love Notes.

Connect with L.B. Dunbar:

https://linktr.ee/lbdunbarwrites

new release, Review

✍🏻 Professor Romance’s Reviews: Jewel E. Ann’s A Good Book, book 3 of her Sunday Morning series ✍🏻

Cover of 'A Good Book' by Jewel E. Ann from the Sunday Morning series, featuring a woman in a floral dress standing with her back to the viewer, looking at a scenic landscape.

Overall Grade: A-/B+

“We experienced the world and the people in it in different ways.”

Jewel E. Ann’s A Good Book delivers substantial emotional depth as the third installment in her Sunday Morning series. Initial concerns about Gabby’s characterization proved unfounded, as Ann transforms what appeared to be a somewhat underdeveloped character in the previous volumes, Sunday Morning and The Apple Tree, into a compelling and multifaceted individual worthy of her own narrative arc.

The central premise of A Good Book revolves around the friends to lovers trope, a narrative device that frequently challenges contemporary romance authors. The inherent difficulty lies in establishing believable motivations for characters who have maintained platonic relationships for extended periods. Ann addresses this challenge through Ben, the male main character, who harbors romantic feelings for Gabby while simultaneously pursuing relationships with other women. His willingness to accept Gabby’s devotion to Matt simply to maintain proximity creates a potentially frustrating dynamic for readers accustomed to more direct romantic progression.

However, Ann demonstrates considerable narrative skill by revealing that Gabby has been aware of Ben’s feelings throughout their friendship, even during her preoccupation with Matt. This revelation transforms what could have been a predictable storyline into something more nuanced and emotionally authentic. The author’s ability to execute such narrative turns distinguishes her work within the romance genre and explains her dedicated readership.

The novel explores Gabby’s journey through complex themes of sexuality and religion, subjects that Ann examines through careful character development. Particularly noteworthy is the evolution of Gabby’s parents, who demonstrate growth in forgiveness and understanding compared to their treatment of Sarah in Sunday Morning and Eve in The Apple Tree. This character development represents one of the strongest elements of the narrative and illustrates Ann’s commitment to realistic family dynamics.

Ben emerges as a particularly well crafted character whose patient suffering creates both sympathy and occasional frustration. His constancy throughout the narrative provides emotional weight and demonstrates Ann’s skill in developing male characters who possess genuine emotional complexity.

Ann’s distinctive voice remains the primary strength of A Good Book. Her approach to contemporary romance differs significantly from genre conventions, as she refuses to provide easy resolutions or straightforward romantic development. Through economical prose, Ann explores fundamental truths about love and grief, themes that consistently appear throughout her contemporary romance catalog. Her willingness to challenge readers rather than simply entertain them elevates her work above typical genre offerings.

The 1980s setting, while accurately detailed and clearly drawn from personal experience, occasionally feels unnecessary to the overall narrative. The cultural references to music, fashion, and the lifestyle of the decade are meticulously researched and authentically presented, yet the temporal placement seems to serve little purpose beyond nostalgic appeal. This represents a minor criticism, as Ann’s decision to write from familiar territory rather than attempting to capture contemporary culture through a Generation X perspective demonstrates artistic integrity.

A Good Book succeeds as both a standalone romance and as part of the larger Sunday Morning series. Ann’s commitment to emotional authenticity, combined with her distinctive narrative voice, creates a reading experience that is both accessible and intellectually engaging. The novel challenges conventional romance expectations while delivering the emotional satisfaction that genre readers expect.

This reviewer awards A Good Book 4.5 stars and recommends it enthusiastically to readers seeking contemporary romance that offers both entertainment and substance. Ann’s work consistently distinguishes itself through its refusal to conform to predictable patterns, making her novels both highly readable and genuinely thought-provoking additions to the romance genre.

In love and romance,

Professor A

new release, Review

✍🏻 Professor Romance’s Reviews: Karla Sorensen’s Lessons in Heartbreak ✍🏻

A shelf filled with various romance novels, prominently featuring the book 'Lessons in Heartbreak' by Karla Sorensen, alongside a playful sign stating 'reading is sexy'.

Overall Grade: A –

Tropes: pro football player MMC; small town shy librarian FMC; opposites attract; football/sports romance; small town romance;  childhood neighbors; spicy lessons

Karla Sorensen’s Lessons in Heartbreak represents a sophisticated exploration of the enemies-to-lovers romance trope, elevated by the author’s nuanced approach to character development and psychological depth. This novel showcases Sorensen’s ongoing journey as a romance novelist, presenting readers with a deliberately paced narrative that rewards careful attention to its intricate character dynamics.

Unlike Sorensen’s typically fast-paced works, Lessons in Heartbreak adopts a more measured approach that serves its thematic content well. The slower pacing allows for the full development of the acrimonious yet increasingly amorous banter between the main characters, Griffin and Ruby. This stylistic choice transforms what could have been superficial antagonism into a rich tapestry of verbal sparring that reveals deeper character motivations and emotional vulnerabilities.

The novel’s greatest strength lies in its portrayal of Griffin’s character arc. Initially presented as an archetypal “golden retriever” personality, cheerful, uncomplicated, and deliberately surface-level, Griffin undergoes substantial psychological development throughout the narrative. Sorensen employs the effective micro-trope of the MMC lacking self-awareness who gradually develops a deeper understanding through his relationship with the FMC.

Griffin’s superficial jocularity serves as a defense mechanism against deeper emotional pain, a psychological complexity that becomes increasingly apparent as Ruby’s perspective challenges his worldview. This internal growth creates a compelling contrast with his strained relationship with his twin brother, Barrett, highlighting how genuine connection can foster personal development in ways that familial connection cannot.

Sorensen masterfully executes another sophisticated romance trope: the concept of main characters who “see” each other more clearly than anyone else can. This mutual recognition becomes particularly poignant when contrasted with Griffin’s fractured family relationships. The author demonstrates considerable skill in illustrating how true intimacy involves not just attraction but genuine understanding and acceptance of one’s partner’s authentic self.

The novel’s central conflict, Ruby’s struggle to choose love despite a health issue, creates substantial emotional stakes without relying on external dramatic devices. Sorensen constructs this internal conflict with careful attention to psychological realism, avoiding the trap of manufactured drama that often weakens contemporary romance narratives. The “soul-deep” attraction that develops between Griffin and Ruby feels earned rather than convenient, a testament to the author’s careful character building.

The ancillary characters in Lessons in Heartbreak function as more than mere comic relief or plot devices. Ruby’s best friend Lauren, Griffin’s young relatives, and his teammate, Marcus create a supporting ecosystem that enhances rather than distracts from the central romance. These characters provide both humor and emotional depth, contributing to a “found family” dynamic that enriches the journey of Griffin and Ruby.

Sorensen’s small-town setting feels authentic and lived-in, creating an immersive community atmosphere that makes readers feel genuinely connected to the story’s world. This environmental storytelling adds layers of meaning to the character development, as Griffin and Ruby’s relationship evolves within a context of genuine community belonging.

What distinguishes Lessons in Heartbreak within the romance genre is Sorensen’s commitment to emotional authenticity. The love story she constructs between Griffin and Ruby transcends simple wish fulfillment to explore the genuine challenges and rewards of intimate partnership. Her ability to create believable, aspirational romantic relationships consistently across her body of work establishes her as a significant voice in contemporary romance literature.

Griffin’s transformation from self-protective humor to genuine emotional availability represents one of the novel’s finest achievements, illustrating how love can serve as a catalyst for personal growth without requiring one partner to sacrifice their essential self.

Lessons in Heartbreak stands as an impressive work of contemporary romance that successfully balances genre conventions with literary sophistication. Sorensen’s careful attention to character psychology, her skilled deployment of beloved romance tropes, and her creation of an engaging supporting cast combine to produce a novel that satisfies both intellectually and emotionally.

For readers seeking romance fiction that offers both escapist pleasure and genuine emotional depth, Lessons in Heartbreak provides an ideal reading experience. Sorensen has crafted a love story that feels both fantastical and attainable, creating the kind of aspirational relationship dynamic that defines the best of the romance genre. This novel comes highly recommended for both devoted romance readers and those seeking an introduction to the genre’s contemporary sophistication.

In love and romance, 

Professor A

new release, Review

✍🏻 Professor Romance’s Reviews: Louise Bay’s Love Fast, book 1 of the Colorado Club Billionaires series ✍🏻

Overall Grade: B

Tropes: runaway bride; small town romance; workplace romance; billionaire MMC; he falls first

Louise Bay’s Love Fast serves as the inaugural novel in her Colorado Club Billionaires series, establishing a narrative foundation that connects to her previous New York City Billionaires collection. This crossover approach allows Bay to introduce readers to Byron, a character previously mentioned in The Hero + Vegas = No Regrets, while simultaneously constructing the framework for her new series.

Bay crafts a four star narrative that explores the relationship between Byron, a privileged billionaire, and Rosey, a woman from modest economic circumstances. The author effectively develops Byron’s backstory, creating a multidimensional character whose privileged existence is complicated by emotional trauma. This character development generates reader sympathy, establishing an emotional investment in his narrative trajectory.

The chemistry between Byron and Rosey manifests primarily through physical attraction, though Bay attempts to deepen their connection through parallel experiences of parental trauma. Both protagonists navigate complicated relationships with a parent, creating a psychological foundation for their mutual attraction beyond physical desire. This shared emotional wound becomes the central catalyst for their developing relationship.

Despite Rosey’s limited worldly experience and financial disadvantage, Bay positions her as instrumental in supporting Byron’s professional ambitions, particularly the development of his Colorado Club resort. Through this dynamic, Bay examines themes of power and privilege, interrogating how socioeconomic disparities influence intimate relationships. The author does not simply acknowledge these disparities but explores how they shape interpersonal dynamics and personal growth.

Beyond the central romance, Bay explores several compelling thematic elements. The narrative considers the nurturing potential of small town communities, illustrating how close knit social structures can support individual development. Additionally, the concept of chosen family emerges as a significant theme, particularly relevant for characters whose biological families prove dysfunctional or absent. Bay further examines how friendship networks can provide emotional sustenance in the absence of healthy parental relationships.

The primary weakness of Love Fast lies in its reliance on the instant attraction trope and the accelerated timeline of emotional development. The rapid progression from initial meeting to profound emotional connection within approximately one week strains credibility. The narrative structure follows a predictable trajectory: protagonists meet, discover physical proximity as neighbors, share innocent moments over hot chocolate, engage in physical intimacy, separate briefly, and reunite weeks later with declarations of love. This compressed emotional timeline limits the opportunity for readers to witness substantial relationship development, sacrificing emotional depth for narrative expedience.

While the instant attraction trope remains standard within the romance genre, its implementation here prioritizes physical connection over emotional evolution. The abbreviated timeline constrains the potential complexity of Byron and Rosey’s relationship, reducing what could be a nuanced exploration of class differences and emotional healing to a somewhat formulaic romantic progression.

Despite these limitations, Love Fast remains an engaging introduction to Bay’s new series. The author’s accessible prose style facilitates reader immersion, and her exploration of emotional trauma provides a counterbalance to the more conventional aspects of the narrative. The novel effectively establishes the world of the Colorado Club billionaires while maintaining connections to Bay’s existing literary universe.

For readers who appreciate romance narratives that combine elements of wealth fantasy with emotional healing, Love Fast offers a satisfying, if somewhat predictable, reading experience. Bay demonstrates particular skill in balancing moments of physical intimacy with instances of emotional vulnerability, creating a narrative that, despite its compressed timeline, delivers the emotional satisfaction characteristic of the contemporary romance genre.

The novel suggests significant potential for the Colorado Club billionaires series, establishing narrative threads and secondary characters that promise engaging future installments. While Love Fast might not transcend genre conventions, it skillfully fulfills reader expectations while laying groundwork for a potentially richer series narrative.

Love Fast represents a solid beginning to Bay’s new series, balancing familiar romance tropes with meaningful thematic exploration. Despite relying on an accelerated emotional timeline that limits character development depth, the novel successfully establishes both individual character arcs and broader series potential.

In love and romance,

Professor A

new release, Review

✍🏻 Professor Romance’s Reviews: Rebecca Jenshak’s Spotlight, book 4 of her Holland Brothers series ✍🏻

An illustration depicting two characters on a baseball field; a young man in a baseball uniform and a young woman holding a baseball bat, both smiling in a playful stance. The background features a stadium with lights and a sunset sky, and the title 'SPOTLIGHT' prominently displayed at the top.

Overall Grade: B

Tropes: single mom; pro baseball MMC; close proximity; he falls first; found family; bookish FMC

Rebecca Jenshak’s Spotlight, the fourth installment in her Holland Brothers series, presents readers with an emotionally engaging contemporary romance that balances predictable genre elements with meaningful character development. As an examination of second chances and the complexities of balancing personal dreams with familial responsibilities, the novel succeeds in delivering an accessible yet thoughtful narrative.

The plot centers on Olivia, a single mother who has resigned herself to a life without romantic partnership after numerous disappointments mainly attributed to her parental status. During a weekend getaway in New York, she encounters Flynn Holland, occupying the adjacent hotel room. Their connection is immediate and profound, culminating in a night of intimate conversation rather than physical passion. This approach offers a refreshing deviation from genre conventions wherein the MMC and FMC mix “business with pleasure.” The following morning, Olivia awakens alone and assumes abandonment, unaware that Flynn was urgently called away by his agent regarding negotiations with a major league baseball team. Upon his return, he discovers Olivia has departed, seemingly ending their brief encounter.

Months later, fate intervenes when they discover their social circles are interconnected. Olivia is the best friend of Flynn’s brother Archer’s fiancée. Flynn, having recently joined the struggling local MLB team, the Mustangs, as their rising star, pursues Olivia with determination. The narrative tension centers not on miscommunication or contrived obstacles, but on a genuine career dilemma: when Flynn receives an offer from his dream team, he must choose between professional aspiration and the newfound family connection he has established with Olivia and her daughter.

Jenshak demonstrates particular skill in character development through supporting figures. The presence of Olivia’s family, Gigi, Grandpa Earl, and Ruby, provides emotional scaffolding for her character while Earl simultaneously serves as a mentor figure for Flynn. This dual functionality in secondary characters reveals Jenshak’s narrative efficiency. Similarly, the inclusion of Flynn’s brothers from previous novels creates a sense of continuity within the series while enhancing the protagonist’s characterization.

The novel’s most compelling emotional sequence involves Flynn’s confrontation with his estranged father. Here, Jenshak elevates the narrative beyond typical romance conventions, integrating themes of generational trauma and the courage required to establish healthy boundaries. This scene exemplifies the author’s ability to weave multiple tonal elements into a cohesive whole.

Stylistically, Spotlight is accessible without sacrificing substance. Jenshak’s prose is direct and unpretentious, prioritizing narrative momentum over linguistic ornamentation. The novel never attempts to transcend its genre. Instead, it excels within established parameters, offering readers exactly what the contemporary romance format promises: emotional satisfaction, relatable conflicts, and an assured resolution.

While Spotlight does not revolutionize the romance genre, its straightforward approach to storytelling, combined with thoughtful character development and thematic exploration of family dynamics, results in a thoroughly enjoyable reading experience. The novel’s greatest strength lies in its authenticity, both in its portrayal of single motherhood and in its examination of how 

Spotlight represents a solid addition to Jenshak’s bibliography, demonstrating her consistent ability to craft emotionally resonant contemporary romance. Though it adheres closely to genre conventions without significant innovation, the novel’s well-developed characters and meaningful exploration of family relationships elevate it above many similar offerings in the contemporary romance landscape.

In love and romance,

Professor A

new release

✍🏻 Vi Keeland’s Jilted is LIVE! Today is the day for a cute contemporary romance! ✍🏻

Title: Jilted
Author: Vi Keeland
Publisher: Bramble/Macmillan
Genre: Standalone Contemporary Romance
Tropes: Wedding Meet Cute/Pro Athlete Hero
He Falls First/Cocky Hero
Release Date: May 6, 2025
BLURB
Weddings. I spend every working minute talking and writing about them, when just the thought of one makes me want to scream. After my fiancé abandoned me at the altar last year, my dream job at Bride magazine has turned into a reoccurring nightmare.
To add insult to injury, the bridezilla at my latest assignment, somehow roped me into filling in for a missing bridesmaid. Of course, I had to get paired with the most gorgeous groomsman. Wilder Hayes is perfect—except when he opens his mouth and we end up bickering all evening. That is, until the coat closet incident.
At least I’ll never have to see him again. Or so I think… Until I walk into work on Monday and find out Wilder isn’t just a jerk, he’s also my boss’s son. And I’ll be spending the rest of the season working with him at every single wedding I cover this year.
Can the jilted bride and the man who is afraid of love find a way to heal each other?
PURCHASE LINKS
EBOOK
PAPERBACK 
WITH SPRAYED EDGES
Note: Paperbacks have gorgeous
sprayed edges while supplies last!
AUTHOR BIO
Vi Keeland is a #1 New York Times, #1 Wall Street Journal, and USA Today Bestselling author. With millions of books sold, her titles are currently translated in twenty-seven languages and have appeared on bestseller lists in the US, Germany, Brazil, Bulgaria, Israel, and Hungary. Three of her short stories have been turned into films by Passionflix, and two of her books are currently optioned for movies. She resides in New York with her husband and their three children where she is living out her own happily ever after with the boy she met at age six.
AUTHOR LINKS
new release, Review

✍🏻 Professor Romance’s Reviews: Kristen Ashley’s The Woman Left Behind ✍🏻

Book cover of 'The Woman Left Behind' by Kristen Ashley, featuring colorful abstract designs with water droplets.

Dear Kristen Ashley,

Recently, I turned the final page of The Woman Left Behind, the fourth installment in your Misted Pines series, and I found myself contemplating the rare gift you’ve given your readers in this latest work. While I’ve long admired your ability to craft engaging romantic suspense as well as other varied genres, this particular novel resonates in ways that feel especially meaningful in our current times.

What strikes me most profoundly about this story is how you’ve created a sanctuary within its pages. As Harry and Lillian navigate their difficult journey — first searching for her parents and then confronting the devastating reality of their absence — you offer readers a respite from our own chaotic world. Their romance grounds us, allowing us to find solace in their connection while everything around them spirals into uncertainty. In a time when many of us seek refuge from a relentless news cycle that feels overwhelming at best, traumatizing at worst, you’ve masterfully constructed a narrative that acknowledges hardship while still providing emotional shelter.

In Harry Moran, you’ve crafted the steadfast partner we all wish to have by our side. His unwavering support as Lillian’s rock—the way he truly “sees” her pain and actively seeks to both comfort and resolve it—makes him the epitome of what a romantic lead should be. His responsibility and groundedness, his complete absence of “weaponized incompetence,” creates a character who embodies the reliable partnership so many yearn for in real life. Harry stands as a testament to your understanding of what readers need from their literary companions.

The suspense elements propel your narrative forward with remarkable momentum. Each unexpected twist keeps readers perched on the edge of anticipation, even when aspects of the plot seem telegraphed ahead. I find myself questioning why anyone would choose to make their home in Misted Pines given the extraordinary events of the first four books—yet paradoxically, I’m left wanting more. The stories of Jace and Jesse, at minimum, feel essential to complete this rich tapestry you’ve woven.

Your storytelling continues to serve a complete emotional feast. There is such abundant narrative within these pages that readers begin with voracious curiosity and conclude utterly satisfied by your careful, intentional navigation through the story. Perhaps most beautiful is how you’ve crafted Lillian’s found family—these relationships, built in the absence of her remarkable parents, allow us to feel the gravity of their loss through the care and love that surrounds her. The emotional weight of this dynamic represents the true heart of this work.

The Woman Left Behind delivers precisely what readers seek in romantic suspense—the growing love between Harry and Lillian provides an emotional anchor while the mystery unfolds around them. You’ve once again demonstrated why your work resonates so deeply with so many. Thank you for creating stories that offer both escape and emotional truth in equal measure.

In love and romance,

Professor A

new release

✍🏻 Staci Hart is BACK with a new story, Hot Shot. I have been waiting for this story!!! ✍🏻

Book cover for 'Hot Shot' by Staci Hart featuring an illustrated couple in a romantic embrace, with a firefighter in uniform and a woman in a white robe, surrounded by flowers and text highlighting its availability on Kindle Unlimited.

🔥 HOT SHOT AVAILABLE NOW! 🔥
𝐈𝐭’𝐬 𝐟𝐢𝐧𝐚𝐥𝐥𝐲 𝐡𝐞𝐫𝐞! 𝐑𝐞𝐚𝐝 𝐢𝐭 𝐭𝐨𝐝𝐚𝐲 𝐟𝐨𝐫 𝐟𝐫𝐞𝐞 𝐢𝐧 𝐊𝐔!!

Book cover for 'Hot Shot' by Staci Hart featuring a firefighter and a woman in a bridal robe embracing, with a vibrant floral background.

“Smart, hilarious, and spicier than a ghost pepper — Hot Shot is fake marriage perfection with banter that bodied me.” — USA Today Bestselling Author Kandi Steiner

𝐑𝐞𝐚𝐝 𝐭𝐨𝐝𝐚𝐲: https://geni.us/hot-shot-ramblers

Promotional image for the book 'Hot Shot' by Staci Hart, showcasing the cover design along with tropes like 'second chance', 'jilted bride', and 'smoking hot firefighter'.

TROPES
🔥marriage of convenience
🔥he falls first
🔥single dad
🔥second chance
🔥small town
🔥smoking hot firefighter
🔥jilted bride
🔥first love
🔥baseball
🔥only one bed
🔥no third act breakup

Never thought I’d agree to a marriage of convenience to my hot, firefighter ex boyfriend.

Especially after he casually informs me we’ve been married for ten years.

Ten years ago, Wilder and I were so in love that we got married in Vegas for one night only before leaving for college on different sides of the world. He was supposed to mail the annulment papers.

Problem is, he didn’t.
Worse? He didn’t tell me.
Not even when I came back to town to marry another man.

But now he needs my help, and I can’t say no. All I have to do is have to pretend in front of the whole town like we’re married. Hold hands. Kiss. Not throw myself at him when he looks at me like I’m the only woman in the world.

My body might remember him, but the rest of me isn’t ready. Because I’m just learning how to find myself, and if I get wrapped up in Wilder’s world, I’ll lose more than my heart—I’ll lose everything.
Again.

An artistic close-up image featuring a couple, emphasizing intimacy with a quote overlay about attraction and desire, promoting the book 'Hot Shot'.
new release

✍🏻 L.B. Dunbar’s next Chicago Anchors story is HERE. It’s time to grab Catch the Kiss and fall hard for Bolan and Ruthie! ✍🏻

Cover image for 'Catch the Kiss' by L.B. Dunbar featuring a male baseball player kneeling in front of a woman in a red dress. The background resembles a baseball field. The text on the image includes 'NEW BOOK ALERT' and mentions Kindle Unlimited.

✨Let’s celebrate! It’s release day for CATCH THE KISS by @lbdunbarwrites! Grab it in KU!  #OneClickNow

https://a.co/d/dE2syhG

Why you need to #ONECLICK this book…

⚾baseball romance

⚾reformed bad boy

⚾single dad

⚾marriage of convenience

⚾homeruns of heat

Cover of the book 'Catch the Kiss' featuring a baseball player kneeling in uniform and offering a rose to a woman in a red dress, set in a grand interior.

Meeting Bolan Adler, professional baseball catcher and single dad, is a complicated story.

One involving a one-time kiss when I was young and silly. And a two-time tryst as some kind of midlife breakdown moment. 

Anyway, in the game of baseball, three strikes mean: you’re out

I thought my third one might happen when Bolan Adler is the newest client of the sports management agency I work for. 

The same business that just promoted me to agent status when I haven’t asked for the position. 

Also, the ridiculous company that wrote up a reputation repair report for the newest member of the Chicago Anchors which includes:

Bolan Adler needs a wife.

He’s decided I’m it. Only this isn’t a game of tag.

Hearts are on the line when I meet Bolan’s sweet sixteen-month-old, and my role goes from babysitting the bad boy of baseball to bonus-mom for his precious daughter.

Complicated, like I said. 

Add in when my fake husband starts tossing out real emotions about love, marriage, and a baby, and I’m just hoping to stay out of the strike zone. Because the obvious opponent on the field is love.

Will it win or lose at the end of the season?

Meet L.B. Dunbar:

L.B. Dunbar loves sexy silver foxes, second chances, and small towns. If you enjoy older characters in your romance reads, including a hero with a little silver in his scruff and a heroine rediscovering her worth, then welcome to romance for those over 40. L.B. Dunbar’s signature works include women and men in their prime taking another turn at love and happily ever after. She’s a USA TODAY Bestseller as well as #1 Bestseller on Amazon in Later in Life Romance with her Lakeside Cottage and Road Trips & Romance series. L.B. lives in Chicago with her own sexy silver fox.

To get all the scoop about the self-proclaimed queen of silver fox romance, join her on Facebook at Loving L.B. or receive her monthly newsletter, Love Notes.

Connect with L.B. Dunbar:

https://linktr.ee/lbdunbarwrites