Cover Reveal

✍🏻 Carter, the long-suffering hockey player in Kandi Steiner’s Kings of the Ice series, is finally getting his story. Check out the cover for Steiner’s Stand Your Ground, and hit that preorder button NOW! ✍🏻

Cover reveal for the book 'Stand Your Ground' by Kandi Steiner featuring two designs: a yellow book cover and a digital display. The background includes a city skyline at night.
Kandi Steiner has revealed the gorgeous covers for Stand Your Ground!
Releasing: October 24, 2025
Cover Designer: Kandi Steiner
Photographer: Ren Saliba
Model: Anonymous
Discreet Cover Designer: Staci Hart

I wrote up the contract myself.
Legally binding. Crystal clear. No strings. No feelings.
Just sex — and two million dollars in exchange for my time and expertise.

Carter Fabri may be Tampa Bay’s newest rising star, but off the ice, he’s all Bambi eyes and inexperience. He’s a virgin in desperate need of lessons in dominance, seduction, and everything in between.

And I happen to be just the woman to teach him.

I don’t need his money.
But I do need what it can give me.

I’m thirty-two, cut off from my family, and one bill away from drowning in student debt. The fantasy I’ve built around my lifestyle is getting harder to maintain. This pay day would secure the lifestyle I’ve worked too hard to let slip through my fingers and finally give me the chance to save for something I’ve always wanted — something I’ve never told anyone about. 

So, I take Carter on as my student. I lay out every rule, every boundary, every carefully controlled term of our arrangement.

What I don’t plan for is how quickly he’d catch on — or how much I’d enjoy letting him take the reins. 

This was supposed to be a lesson in power.
But somewhere along the way, I stopped being the one in charge.

I thought I could keep my heart out of it.
I thought I’d accounted for every risk.

But some consequences you can’t predict — no matter how carefully you draft the terms.

Pre-order your copy today!
Amazon: https://bit.ly/3Ti6lYF
Amazon Worldwide: https://mybook.to/PBCxP

Add to Goodreads: https://bit.ly/45iSWXz 
new release

✍🏻 If you’ve been a fan of Louise Bay for any length of time, this newest book, An American in London, reads like some of her older series that I adore: the Royals Collection or the Empire State series. If you love a broody, billionaire MMC who falls hard for an FMC who loves herself a rom-com. ✍🏻

Cover image for the book 'An American in London' by Louise Bay featuring a man in a suit with a backdrop of London landmarks, including Big Ben. The design includes hearts and pastel colors, promoting its availability in ebook, audio, and paperback formats.

💙 𝐍𝐄𝐖 𝐑𝐄𝐋𝐄𝐀𝐒𝐄 💙

𝑨𝑵 𝑨𝑴𝑬𝑹𝑰𝑪𝑨𝑵 𝑰𝑵 𝑳𝑶𝑵𝑫𝑶𝑵 by Wall Street Journal and USA Today bestselling author Louise Bay is now LIVE! 

Book cover for 'An American in London' by Louise Bay, featuring a handsome man in a suit with London landmarks in the background.

𝟭-𝗰𝗹𝗶𝗰𝗸 𝘁𝗼𝗱𝗮𝘆! 𝗙𝗥𝗘𝗘 𝗶𝗻 𝗞𝗨!

https://geni.us/anamericaninlondon

Audible (Narrated by Erin Mallon): https://geni.us/AILaudio

Add to 𝑮𝒐𝒐𝒅𝒓𝒆𝒂𝒅𝒔:

https://geni.us/AAILGR

A romantic scene featuring a couple embracing, with a quote overlay that reads: 'YOU'RE NEVER GOING TO WANT TO LEAVE when I'm done with you.' In the foreground, there is a book cover for 'An American in London' by Louise Bay displayed on a phone and next to the book.

What to expect:

💙Fake Engagement

💗Grumpy Billionaire

💙American FMC/British MMC

💗New in town

💙Vacation Romance

Blurb:

Tuesday Reynolds’s dreamy life in Manhattan has gone belly-up. Ditched by her college sweetheart and with her Wall Street banking job at risk, she’s off to London to prove herself to a new CEO. Plans change when Tuesday meets Ben Kelley, a wealthy, scowly, and movie-star-handsome stranger. He’s just missing one thing to make his professional dreams come true.

What does Ben need? Oh, just a fake fiancée to impress a duke and duchess. What’s in it for Tuesday? Enough money to put a down payment on an apartment back in New York, a new wardrobe, and a weekend in the country at the stately home of the duke and duchess. The Bridgerton vibes are absolutely off the charts.

Everything between Ben and Tuesday is completely professional, until the rehearsals for their weekend romance start to feel…almost authentic.

It’s official. Tuesday’s life has been hijacked by a rom-com scriptwriter. But the best love stories aren’t the ones on the big screen. Maybe they’re the real ones that sneak up on you when you least expect it.

Find more books by Louise Bay here: https://louisebay.com/

Cover Reveal

✍🏻 Jack Bradford’s story is THE one I’ve been waiting for. Check out the steamy cover for The Way We Win. ✍🏻

Tia Louise has revealed the covers for The Way We Win!

Book cover for 'The Way We Win' by Tia Louise, featuring a man and a woman in a romantic embrace, with sports imagery in the background.
Cover for 'The Way We Win' featuring a woman in a blue dress and a man in a red coach's shirt, standing on a football field with bleachers in the background.

Releasing July 17, 2025

Coach Bradford has a dirty little secret… and it’s not (just) me.

Jack Bradford is the oldest of the Bradford siblings, my best friend’s brother, and my son’s football coach.

He’s six-two, dark hair, ocean-blue eyes, broad shoulders, and a square jaw that’s perpetually flexed.

He’s a hero in our small town, and the gentle way he cares for his young daughter will melt your… everything.

I’ve done my best to show my interest, even walking down the aisle on his arm four times (in his younger siblings’ weddings).

Everyone in Newhope ships us, but he always keeps me at arm’s length.

I’d pretty much given up on landing this DILF, when an overbearing dad says my son is only QB-1 because I give the coach “special favors.” (I wish!)

Then my ex-con ex-husband starts threatening us, and the walls break.

Coach Jack shows up at my door, sleeps on my couch, and his fight disappears.

Being with him is beyond my wildest dreams. His secrets don’t scare me.

He’s everything I’ve ever wanted… and more.

Together, we’re a win, and at last I go from dirty little secret to dirty little wife.

(The Way We Win is a small-town, single dad, single mom, football romance with a HOT high school football coach, a sexy librarian, Friday night lights, ALL the Bradford fun, SPICE, and a touch of suspense. No cheating, no cliffhanger, and no third-act breakup.)

Book cover reveal for 'The Way We Win' by Tia Louise featuring two cover designs, one with a couple at a football field and another with a couple in an intimate pose.

Photographer: Wander Aguiar
Cover Designer: Lori Jackson Design
Cover Illustrator: Laura Moore
LCM Designs  

Preorder your copy today!

Amazon: https://bit.ly/44105K2 

Amazon Worldwide:https://bit.ly/4l3cELL  

Audio: Coming Soon   

Goodreads: https://bit.ly/4kDFXnD 

Cover image for 'The Way We Win' by Tia Louise, featuring an engaging design that hints at a romance story.

Meet Tia Louise

Logo of author Tia Louise featuring the text 'Tia Louise' in bold pink script, with the tagline 'SMART. Sassy. Sexy.' alongside an illustrated character.


Tia Louise is the USA TODAY best-selling, award-winning author of super-hot and sexy romances. All her heroes are alphas with hearts of gold, and all her heroines are the smart, sassy ladies who love them.

NEVER miss a New Release or Sale–get her newsletter now: http://smarturl.it/TLMnews
OR Get New Release Text Alerts: Text “TiaLouise” to 64600 (U.S. only)

Keep up with her at TiaLouise.com or Instagram (@AuthorTLouise) or Facebook (@AuthorTiaLouise).

Connect with Tia

Website | TiaLouise.com   

Goodreads | https://www.goodreads.com/Tia_Louise   

Amazon | http://smarturl.it/TLMAA    

Facebook | https://www.facebook.com/AuthorTiaLouise     

Facebook Group |  https://www.facebook.com/groups/tiasbooksbabesmermaids     

Instagram https://www.instagram.com/authortlouise    

Bookbub |  https://www.bookbub.com/authors/tia-louise     

Pinterest http://pinterest.com/AuthorTiaLouise       

Newsletter |  http://smarturl.it/TLMnews     

Text Updates |  64600

new release, Review

✍🏻 Professor Romance’s Reviews: K.A. Tucker’s Release Me, book 1 of The Wolf Hotel Mermaid Beach series ✍🏻

Cover of K.A. Tucker's novel 'Release Me' featuring the title, author's name, and a 'Please Do Not Disturb' tag, displayed on a book and a smartphone.

Overall Grade: B-

K.A. Tucker’s Release Me launches The Wolf Hotel Mermaid Beach spinoff series with characteristic sensuality and narrative ambition, though structural choices prevent it from achieving its full potential. As the first installment in this new series, the novel demonstrates Tucker’s remarkable versatility as an author capable of seamlessly transitioning between fantasy, contemporary romance, and romantic comedy while maintaining her distinctive voice throughout.

The novel’s greatest strength lies in Tucker’s continued exploration of Ronan’s character evolution following the events of the original Wolf Hotel series. Post-Abbi, Ronan undergoes significant introspection, recognizing his desire for something more substantial than his previous hedonistic lifestyle. Tucker skillfully maintains the sensual provocativeness that defined the original series while suggesting a meaningful departure from it, creating narrative continuity that will satisfy existing fans while attracting new readers.

Connor’s role as Ronan’s sergeant-in-arms provides essential comedic balance to the story’s more serious emotional undertones. His humorous perspective serves as an effective counterpoint to Ronan’s increasingly introspective nature, demonstrating Tucker’s understanding of how supporting characters can enhance rather than overshadow the main narrative. This dynamic partnership adds depth to both characters while maintaining the series’ established tone.

The introduction of Ryan and Sloane as foils to Ronan’s journey represents sophisticated character development. Through their interactions, Tucker challenges Ronan’s perceived identity as a commitment-phobic playboy, revealing the underlying monogamous nature that has been obscured by his previous behavior. This psychological complexity elevates Ronan beyond simple romantic archetype, suggesting emotional depths that promise significant character growth in future installments.

The enemies to lovers dynamic between Sloane and Ronan, framed within the small business versus corporate expansion conflict involving Henry Wolf’s empire, provides compelling dramatic tension. This storyline taps into contemporary economic anxieties while maintaining the series’ romantic focus, creating stakes that extend beyond personal relationships into broader questions of community and corporate responsibility.

However, Release Me suffers from significant structural problems that undermine its narrative effectiveness. Tucker’s decision to incorporate a previously published novella as Part 1 creates a fractured reading experience that detracts from the central Sloane and Ronan storyline. While this novella provides background context for Ronan’s character and introduces Ryan, Connor’s sister, it ultimately dilutes focus from what should be the novel’s primary romantic arc.

The situationship between Ronan and Ryan, while emotionally authentic, feels tangential to the more compelling enemies-to-lovers plot involving Sloane. The temporal placement of this relationship before the events of the original Wolf Hotel series creates unnecessary complexity without adding substantial value to the current narrative. This structural choice makes the novel feel cobbled together rather than purposefully constructed.

The second significant weakness involves Ronan’s character development in the novel’s latter half. Despite Tucker’s evident understanding of his psychological complexity, the characterization remains frustratingly surface level. The cliffhanger ending, while creating anticipation for the sequel, leaves readers without sufficient emotional investment in Ronan’s journey. A more fully developed single volume would have better served both character development and reader satisfaction.

The underdevelopment of Ronan’s character arc represents a missed opportunity, particularly given Tucker’s demonstrated skill in creating psychologically complex male characters. The depth suggested by his post-Abbi transformation deserves more thorough exploration than the novel’s structure allows, leaving readers with tantalizing glimpses of character growth rather than substantial development.

Despite these structural limitations, Release Me succeeds in establishing the foundation for what promises to be an engaging series. Tucker’s ability to maintain the sensual intensity of the original Wolf Hotel series while exploring new emotional territory demonstrates her prowess as a writer. The novel’s exploration of themes beyond romantic relationships, including questions of personal growth and corporate responsibility, suggests ambitious storytelling goals for the series.

The anticipation for Save Me remains high, as Tucker has established compelling plot lines that promise significant developments for both Ronan and Sloane. The potential for deeper character exploration in future installments, combined with the series’ established strengths, suggests that subsequent volumes may fulfill the promise that Release Me establishes but does not fully realize.

K.A. Tucker’s Release Me earns a solid B- for its ambitious scope and promising foundation, despite structural weaknesses that prevent it from achieving its full potential. Fans of the Wolf Hotel series will find enough familiar elements to maintain their investment, while new readers will discover a sensually engaging romance with broader thematic ambitions. The Wolf Hotel Mermaid Beach spinoff series demonstrates significant promise for future development, making this an essential read for Tucker’s dedicated readership.

In love and romance,

Professor A

Cover Reveal

✍🏻 Gah, how I love this series! Just the aesthetic alone makes this reader happy! Check out the cover for the final Fletcher Brother story, Honeymoon Phase, coming November 18th. ✍🏻

Promotional image for 'Honeymoon Phase' by Amy Daws, featuring the book cover alongside electronic devices displaying the book, set against a snowy background with text announcing the release date.

Title: HONEYMOON PHASE
Author: Amy Daws
Genre: Romantic Comedy
Release Date: November 18, 2025
Publisher: Canary Street Press

Fact or fiction: proposing to your best friend so she can inherit her family business is a great idea.
🐓💍🐓 💍🐓

HONEYMOON PHASE by Amy Daws
Preorder Here: https://geni.us/HoneymoonPhase-CSP

Cover reveal for 'Honeymoon Phase' by Amy Daws featuring the book cover displayed on an e-reader, phone, and print edition with a scenic mountain backdrop.
A promotional graphic featuring three book covers by Amy Daws: 'Nine Month Contract', 'Seven Year Itch', and 'Honeymoon Phase', with a mountainous background and text promoting the Fletcher Brothers.

FULL BLURB

Fact or fiction: becoming a lumberjack and marrying your best friend so she can inherit her family business is a great idea.

When Addison “Roe” Monroe tells me she’s going on a husband hunt at the local
lumberjack competition so she can inherit her father’s lumberyard, I think she has finally lost her mind.

But my stubborn friend, who would rather drive a forklift than get her nails done,
refused my first marriage offer. And since I can’t stomach watching Roe hitch her
wagon to some hulking ax wielder who might be a serial killer, I decide that desperate times require desperate measures.

Call me Lumberjack Luke.

I’ll do whatever it takes to get her to accept my proposal because she’s more than
just a friend. And the way she looks back at me? I think she knows it.
On the surface, I’m offering a marriage of convenience to protect her. But the truth is…I’m hopelessly in love with my best friend.

Marrying her and moving her up to Fletcher Mountain might mean I’ve lost my mind too, but so be it.

Because the only thing I would regret more, is never trying.

And that’s a fact.

Meet the whole Fletcher Family!

Honeymoon Phase is coming to bookstores November 18th!

A woman with long hair sits on a couch, smiling at the camera. She is wearing a white top with lace detailing and denim shorts, with a wooden table in front of her.

ABOUT THE AUTHOR

Number 1 Amazon and USA Today bestselling author Amy Daws writes spicy love stories that take place in America, as well as across the pond. She’s been known to pen her steamy novels in a tire shop waiting room and that experience inspired her rom-com Wait With Me that was turned into a feature film on Passionflix. When Amy is not writing, she’s likely making charcuterie boards from her home in South Dakota where she lives with her daughter and husband.

Follow Amy on all social media channels under the handle @amydawsauthor

STALKER LINKS:
Website/Newsletter: http://www.amydawsauthor.com
Facebook: http://www.facebook.com/amydawsauthor
Facebook Fan Group: https://www.facebook.com/groups/AmyDawsLondonLovers/
Instagram: http://www.instagram.com/amydawsauthor
TikTok: https://www.tiktok.com/@amydawsauthor
X: https://twitter.com/amydawsauthor
Bookbub: https://www.bookbub.com/authors/amy-daws
Book and Main: https://bookandmainbites.com/amydaws
Pinterest: http://www.pinterest.com/amydawsauthor/
Amazon Author Page: http://www.amazon.com/author/amydaws
Goodreads: https://www.goodreads.com/amydawsauthor

new release

✍🏻 Vale’s story is HERE! L.B. Dunbar’s next Sterling Falls story is LIVE! Grab Sterling Touch and fall hard for Vale and Cort, her brother’s ex-best friend. ✍🏻

Cover image for the book 'Sterling Touch' by L.B. Dunbar featuring a couple embracing in a romantic setting with the text 'Now Book Alert' and 'kindle unlimited' highlighted.

✨Let’s celebrate! It’s release day for STERLING TOUCH by L.B. Dunbar!

Grab it in KU!  #OneClickNow

https://a.co/d/8UJo6VS

Why you need to #ONECLICK this book…

🔥Forbidden Romance

🔥Age Gap

🔥Older Brother’s Former Best Friend

🔥Childhood Friends

🔥Small Town

Promotional graphic for the book 'Sterling Touch' by L.B. Dunbar, featuring a couple embracing with festive decorations in the background and highlighting themes like forbidden romance, age gap, and small town.

I wasn’t supposed to love him. I wasn’t even supposed to acknowledge him. But my entire life, I’ve had heart-eyes for my oldest brother’s former best friend, Cortland Haven.

I can’t help it that boys can be stupid, and a feud broke apart a long-time friendship and divided once-close families. 

Try as I might to ignore Cort, I didn’t miss his eyes on me from across a crowded bar, twelve years ago. Oh, the way my skin tingled under his appraisal. The way my heart pattered knowing he was looking at me.

We shared more than a moment.

Now, we’re older and wiser. And with a little over a decade age gap between us, and a divide greater than that between our families, my heart still hasn’t gotten the memo.

No, that fickle organ has other plans for Cortland and me.

Especially when the silver fox is my son’s new baseball coach and I suddenly find myself assigned as his physical therapist.

I don’t just fall for the man adverse to touch, I tumble hard for him, when he should never be mine.

Meet L.B. Dunbar:

L.B. Dunbar loves sexy silver foxes, second chances, and small towns. If you enjoy older characters in your romance reads, including a hero with a little silver in his scruff and a heroine rediscovering her worth, then welcome to romance for those over 40. L.B. Dunbar’s signature works include women and men in their prime taking another turn at love and happily ever after. She’s a USA TODAY Bestseller as well as #1 Bestseller on Amazon in Later in Life Romance with her Lakeside Cottage and Road Trips & Romance series. L.B. lives in Chicago with her own sexy silver fox.

To get all the scoop about the self-proclaimed queen of silver fox romance, join her on Facebook at Loving L.B. or receive her monthly newsletter, Love Notes.

Connect with L.B. Dunbar:

https://linktr.ee/lbdunbarwrites

new release, Review

✍🏻 Professor Romance’s Reviews: Jewel E. Ann’s A Good Book, book 3 of her Sunday Morning series ✍🏻

Cover of 'A Good Book' by Jewel E. Ann from the Sunday Morning series, featuring a woman in a floral dress standing with her back to the viewer, looking at a scenic landscape.

Overall Grade: A-/B+

“We experienced the world and the people in it in different ways.”

Jewel E. Ann’s A Good Book delivers substantial emotional depth as the third installment in her Sunday Morning series. Initial concerns about Gabby’s characterization proved unfounded, as Ann transforms what appeared to be a somewhat underdeveloped character in the previous volumes, Sunday Morning and The Apple Tree, into a compelling and multifaceted individual worthy of her own narrative arc.

The central premise of A Good Book revolves around the friends to lovers trope, a narrative device that frequently challenges contemporary romance authors. The inherent difficulty lies in establishing believable motivations for characters who have maintained platonic relationships for extended periods. Ann addresses this challenge through Ben, the male main character, who harbors romantic feelings for Gabby while simultaneously pursuing relationships with other women. His willingness to accept Gabby’s devotion to Matt simply to maintain proximity creates a potentially frustrating dynamic for readers accustomed to more direct romantic progression.

However, Ann demonstrates considerable narrative skill by revealing that Gabby has been aware of Ben’s feelings throughout their friendship, even during her preoccupation with Matt. This revelation transforms what could have been a predictable storyline into something more nuanced and emotionally authentic. The author’s ability to execute such narrative turns distinguishes her work within the romance genre and explains her dedicated readership.

The novel explores Gabby’s journey through complex themes of sexuality and religion, subjects that Ann examines through careful character development. Particularly noteworthy is the evolution of Gabby’s parents, who demonstrate growth in forgiveness and understanding compared to their treatment of Sarah in Sunday Morning and Eve in The Apple Tree. This character development represents one of the strongest elements of the narrative and illustrates Ann’s commitment to realistic family dynamics.

Ben emerges as a particularly well crafted character whose patient suffering creates both sympathy and occasional frustration. His constancy throughout the narrative provides emotional weight and demonstrates Ann’s skill in developing male characters who possess genuine emotional complexity.

Ann’s distinctive voice remains the primary strength of A Good Book. Her approach to contemporary romance differs significantly from genre conventions, as she refuses to provide easy resolutions or straightforward romantic development. Through economical prose, Ann explores fundamental truths about love and grief, themes that consistently appear throughout her contemporary romance catalog. Her willingness to challenge readers rather than simply entertain them elevates her work above typical genre offerings.

The 1980s setting, while accurately detailed and clearly drawn from personal experience, occasionally feels unnecessary to the overall narrative. The cultural references to music, fashion, and the lifestyle of the decade are meticulously researched and authentically presented, yet the temporal placement seems to serve little purpose beyond nostalgic appeal. This represents a minor criticism, as Ann’s decision to write from familiar territory rather than attempting to capture contemporary culture through a Generation X perspective demonstrates artistic integrity.

A Good Book succeeds as both a standalone romance and as part of the larger Sunday Morning series. Ann’s commitment to emotional authenticity, combined with her distinctive narrative voice, creates a reading experience that is both accessible and intellectually engaging. The novel challenges conventional romance expectations while delivering the emotional satisfaction that genre readers expect.

This reviewer awards A Good Book 4.5 stars and recommends it enthusiastically to readers seeking contemporary romance that offers both entertainment and substance. Ann’s work consistently distinguishes itself through its refusal to conform to predictable patterns, making her novels both highly readable and genuinely thought-provoking additions to the romance genre.

In love and romance,

Professor A

new release, Review

✍🏻 Professor Romance’s Reviews: Karla Sorensen’s Lessons in Heartbreak ✍🏻

A shelf filled with various romance novels, prominently featuring the book 'Lessons in Heartbreak' by Karla Sorensen, alongside a playful sign stating 'reading is sexy'.

Overall Grade: A –

Tropes: pro football player MMC; small town shy librarian FMC; opposites attract; football/sports romance; small town romance;  childhood neighbors; spicy lessons

Karla Sorensen’s Lessons in Heartbreak represents a sophisticated exploration of the enemies-to-lovers romance trope, elevated by the author’s nuanced approach to character development and psychological depth. This novel showcases Sorensen’s ongoing journey as a romance novelist, presenting readers with a deliberately paced narrative that rewards careful attention to its intricate character dynamics.

Unlike Sorensen’s typically fast-paced works, Lessons in Heartbreak adopts a more measured approach that serves its thematic content well. The slower pacing allows for the full development of the acrimonious yet increasingly amorous banter between the main characters, Griffin and Ruby. This stylistic choice transforms what could have been superficial antagonism into a rich tapestry of verbal sparring that reveals deeper character motivations and emotional vulnerabilities.

The novel’s greatest strength lies in its portrayal of Griffin’s character arc. Initially presented as an archetypal “golden retriever” personality, cheerful, uncomplicated, and deliberately surface-level, Griffin undergoes substantial psychological development throughout the narrative. Sorensen employs the effective micro-trope of the MMC lacking self-awareness who gradually develops a deeper understanding through his relationship with the FMC.

Griffin’s superficial jocularity serves as a defense mechanism against deeper emotional pain, a psychological complexity that becomes increasingly apparent as Ruby’s perspective challenges his worldview. This internal growth creates a compelling contrast with his strained relationship with his twin brother, Barrett, highlighting how genuine connection can foster personal development in ways that familial connection cannot.

Sorensen masterfully executes another sophisticated romance trope: the concept of main characters who “see” each other more clearly than anyone else can. This mutual recognition becomes particularly poignant when contrasted with Griffin’s fractured family relationships. The author demonstrates considerable skill in illustrating how true intimacy involves not just attraction but genuine understanding and acceptance of one’s partner’s authentic self.

The novel’s central conflict, Ruby’s struggle to choose love despite a health issue, creates substantial emotional stakes without relying on external dramatic devices. Sorensen constructs this internal conflict with careful attention to psychological realism, avoiding the trap of manufactured drama that often weakens contemporary romance narratives. The “soul-deep” attraction that develops between Griffin and Ruby feels earned rather than convenient, a testament to the author’s careful character building.

The ancillary characters in Lessons in Heartbreak function as more than mere comic relief or plot devices. Ruby’s best friend Lauren, Griffin’s young relatives, and his teammate, Marcus create a supporting ecosystem that enhances rather than distracts from the central romance. These characters provide both humor and emotional depth, contributing to a “found family” dynamic that enriches the journey of Griffin and Ruby.

Sorensen’s small-town setting feels authentic and lived-in, creating an immersive community atmosphere that makes readers feel genuinely connected to the story’s world. This environmental storytelling adds layers of meaning to the character development, as Griffin and Ruby’s relationship evolves within a context of genuine community belonging.

What distinguishes Lessons in Heartbreak within the romance genre is Sorensen’s commitment to emotional authenticity. The love story she constructs between Griffin and Ruby transcends simple wish fulfillment to explore the genuine challenges and rewards of intimate partnership. Her ability to create believable, aspirational romantic relationships consistently across her body of work establishes her as a significant voice in contemporary romance literature.

Griffin’s transformation from self-protective humor to genuine emotional availability represents one of the novel’s finest achievements, illustrating how love can serve as a catalyst for personal growth without requiring one partner to sacrifice their essential self.

Lessons in Heartbreak stands as an impressive work of contemporary romance that successfully balances genre conventions with literary sophistication. Sorensen’s careful attention to character psychology, her skilled deployment of beloved romance tropes, and her creation of an engaging supporting cast combine to produce a novel that satisfies both intellectually and emotionally.

For readers seeking romance fiction that offers both escapist pleasure and genuine emotional depth, Lessons in Heartbreak provides an ideal reading experience. Sorensen has crafted a love story that feels both fantastical and attainable, creating the kind of aspirational relationship dynamic that defines the best of the romance genre. This novel comes highly recommended for both devoted romance readers and those seeking an introduction to the genre’s contemporary sophistication.

In love and romance, 

Professor A

new release, Review

✍🏻 Professor Romance’s Reviews: Louise Bay’s Love Fast, book 1 of the Colorado Club Billionaires series ✍🏻

Overall Grade: B

Tropes: runaway bride; small town romance; workplace romance; billionaire MMC; he falls first

Louise Bay’s Love Fast serves as the inaugural novel in her Colorado Club Billionaires series, establishing a narrative foundation that connects to her previous New York City Billionaires collection. This crossover approach allows Bay to introduce readers to Byron, a character previously mentioned in The Hero + Vegas = No Regrets, while simultaneously constructing the framework for her new series.

Bay crafts a four star narrative that explores the relationship between Byron, a privileged billionaire, and Rosey, a woman from modest economic circumstances. The author effectively develops Byron’s backstory, creating a multidimensional character whose privileged existence is complicated by emotional trauma. This character development generates reader sympathy, establishing an emotional investment in his narrative trajectory.

The chemistry between Byron and Rosey manifests primarily through physical attraction, though Bay attempts to deepen their connection through parallel experiences of parental trauma. Both protagonists navigate complicated relationships with a parent, creating a psychological foundation for their mutual attraction beyond physical desire. This shared emotional wound becomes the central catalyst for their developing relationship.

Despite Rosey’s limited worldly experience and financial disadvantage, Bay positions her as instrumental in supporting Byron’s professional ambitions, particularly the development of his Colorado Club resort. Through this dynamic, Bay examines themes of power and privilege, interrogating how socioeconomic disparities influence intimate relationships. The author does not simply acknowledge these disparities but explores how they shape interpersonal dynamics and personal growth.

Beyond the central romance, Bay explores several compelling thematic elements. The narrative considers the nurturing potential of small town communities, illustrating how close knit social structures can support individual development. Additionally, the concept of chosen family emerges as a significant theme, particularly relevant for characters whose biological families prove dysfunctional or absent. Bay further examines how friendship networks can provide emotional sustenance in the absence of healthy parental relationships.

The primary weakness of Love Fast lies in its reliance on the instant attraction trope and the accelerated timeline of emotional development. The rapid progression from initial meeting to profound emotional connection within approximately one week strains credibility. The narrative structure follows a predictable trajectory: protagonists meet, discover physical proximity as neighbors, share innocent moments over hot chocolate, engage in physical intimacy, separate briefly, and reunite weeks later with declarations of love. This compressed emotional timeline limits the opportunity for readers to witness substantial relationship development, sacrificing emotional depth for narrative expedience.

While the instant attraction trope remains standard within the romance genre, its implementation here prioritizes physical connection over emotional evolution. The abbreviated timeline constrains the potential complexity of Byron and Rosey’s relationship, reducing what could be a nuanced exploration of class differences and emotional healing to a somewhat formulaic romantic progression.

Despite these limitations, Love Fast remains an engaging introduction to Bay’s new series. The author’s accessible prose style facilitates reader immersion, and her exploration of emotional trauma provides a counterbalance to the more conventional aspects of the narrative. The novel effectively establishes the world of the Colorado Club billionaires while maintaining connections to Bay’s existing literary universe.

For readers who appreciate romance narratives that combine elements of wealth fantasy with emotional healing, Love Fast offers a satisfying, if somewhat predictable, reading experience. Bay demonstrates particular skill in balancing moments of physical intimacy with instances of emotional vulnerability, creating a narrative that, despite its compressed timeline, delivers the emotional satisfaction characteristic of the contemporary romance genre.

The novel suggests significant potential for the Colorado Club billionaires series, establishing narrative threads and secondary characters that promise engaging future installments. While Love Fast might not transcend genre conventions, it skillfully fulfills reader expectations while laying groundwork for a potentially richer series narrative.

Love Fast represents a solid beginning to Bay’s new series, balancing familiar romance tropes with meaningful thematic exploration. Despite relying on an accelerated emotional timeline that limits character development depth, the novel successfully establishes both individual character arcs and broader series potential.

In love and romance,

Professor A

new release, Review

✍🏻 Professor Romance’s Reviews: Rebecca Jenshak’s Spotlight, book 4 of her Holland Brothers series ✍🏻

An illustration depicting two characters on a baseball field; a young man in a baseball uniform and a young woman holding a baseball bat, both smiling in a playful stance. The background features a stadium with lights and a sunset sky, and the title 'SPOTLIGHT' prominently displayed at the top.

Overall Grade: B

Tropes: single mom; pro baseball MMC; close proximity; he falls first; found family; bookish FMC

Rebecca Jenshak’s Spotlight, the fourth installment in her Holland Brothers series, presents readers with an emotionally engaging contemporary romance that balances predictable genre elements with meaningful character development. As an examination of second chances and the complexities of balancing personal dreams with familial responsibilities, the novel succeeds in delivering an accessible yet thoughtful narrative.

The plot centers on Olivia, a single mother who has resigned herself to a life without romantic partnership after numerous disappointments mainly attributed to her parental status. During a weekend getaway in New York, she encounters Flynn Holland, occupying the adjacent hotel room. Their connection is immediate and profound, culminating in a night of intimate conversation rather than physical passion. This approach offers a refreshing deviation from genre conventions wherein the MMC and FMC mix “business with pleasure.” The following morning, Olivia awakens alone and assumes abandonment, unaware that Flynn was urgently called away by his agent regarding negotiations with a major league baseball team. Upon his return, he discovers Olivia has departed, seemingly ending their brief encounter.

Months later, fate intervenes when they discover their social circles are interconnected. Olivia is the best friend of Flynn’s brother Archer’s fiancée. Flynn, having recently joined the struggling local MLB team, the Mustangs, as their rising star, pursues Olivia with determination. The narrative tension centers not on miscommunication or contrived obstacles, but on a genuine career dilemma: when Flynn receives an offer from his dream team, he must choose between professional aspiration and the newfound family connection he has established with Olivia and her daughter.

Jenshak demonstrates particular skill in character development through supporting figures. The presence of Olivia’s family, Gigi, Grandpa Earl, and Ruby, provides emotional scaffolding for her character while Earl simultaneously serves as a mentor figure for Flynn. This dual functionality in secondary characters reveals Jenshak’s narrative efficiency. Similarly, the inclusion of Flynn’s brothers from previous novels creates a sense of continuity within the series while enhancing the protagonist’s characterization.

The novel’s most compelling emotional sequence involves Flynn’s confrontation with his estranged father. Here, Jenshak elevates the narrative beyond typical romance conventions, integrating themes of generational trauma and the courage required to establish healthy boundaries. This scene exemplifies the author’s ability to weave multiple tonal elements into a cohesive whole.

Stylistically, Spotlight is accessible without sacrificing substance. Jenshak’s prose is direct and unpretentious, prioritizing narrative momentum over linguistic ornamentation. The novel never attempts to transcend its genre. Instead, it excels within established parameters, offering readers exactly what the contemporary romance format promises: emotional satisfaction, relatable conflicts, and an assured resolution.

While Spotlight does not revolutionize the romance genre, its straightforward approach to storytelling, combined with thoughtful character development and thematic exploration of family dynamics, results in a thoroughly enjoyable reading experience. The novel’s greatest strength lies in its authenticity, both in its portrayal of single motherhood and in its examination of how 

Spotlight represents a solid addition to Jenshak’s bibliography, demonstrating her consistent ability to craft emotionally resonant contemporary romance. Though it adheres closely to genre conventions without significant innovation, the novel’s well-developed characters and meaningful exploration of family relationships elevate it above many similar offerings in the contemporary romance landscape.

In love and romance,

Professor A