new release, Review

✍🏻 Professor Romance’s Reviews: Vi Keeland and Penelope Ward’s The Rules of Dating a Younger Man, the final book of The Law of Opposites Attract series ✍🏻

Overall Grade: B-

Tropes: age gap; close proximity; cinnamon roll MMC; “forbidden” relationship; he falls first; friends to lovers

Vi Keeland and Penelope Ward’s The Law of Opposites Attract series has come to a close with their final book, The Rules of Dating a Younger Man. Throughout this series, their readers have been gifted with the found family/band of brothers trope that tends to be popular. From Colby to Holden to Owen to Brayden, Keeland and Ward have ingratiated their lives into our lives. Here’s the thing about this series, though. This series started strong with Colby/Billie and Holden/Lala’s stories, but the magic of those books feels lost in Owen and now Brayden’s book. With The Rules of Dating a Younger Man, for me, the highlight is Brayden. In their friend group, Owen and Brayden seem the most level-headed and secure of the bunch, but Brayden, especially, is one of the quietest of the stories going into his book. Keeland and Ward draw him as a wildly handsome, thoughtful, humble, kind man. You have no heart if you leave TRODAYM and don’t love Brayden. It’s impossible to dislike him because he cares so much for his friends, the kids he develops prostheses for, and the project of Ryan’s House. Alex, the FMC, cannot help but fall in love with someone like Brayden. 

The issue with this book is two-fold: Alex’s journey can be challenging to understand. She is not readily likable because she spurns Brayden at every turn. I found it tiring as it continues for 80 percent-ish of the book. The second issue is their chemistry. Keeland and Ward create more tension between Brayden and Alex than they create their love. Yet, these two fall in love after three weeks (weekends only). I struggled with this inconsistency, making it difficult to believe they were indeed in love. As situations play out, Alex readily denies Brayden for much of the book, even though she allegedly loves him. Again, the credibility of their relationship created issues for me. 

Did I love the camaraderie of the friends? Yes.

Did I enjoy their antics and the way they loved each other? Absolutely!

Did I love Alex and Brayden when they finally got where they needed to go? Yep. However, this takes up most of the book and adds a huge helping of frustration. 

Do I think The Rules of Dating a Younger Man a fitting end to this series? I’m not sure. I believe this series began strong and lost its magic in the two later books. 

As always, however, I adore Vi Keeland and Penelope Ward’s storytelling prowess, and I will continue to read their works. I’m just not sure I loved The Rules of Dating a Younger Man as much as I wanted to.

In love and romance,

Professor A

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new release, Review

✍🏻 Professor Romance’s 4.5 ⭐️ Review: Catherine Cowles’s Glimmers of You ✍🏻

Overall Grade: 4.5 ⭐️

Tropes: brother’s best friend/best friend’s little sister; small-town romance; hate to love; second chance at love; romantic suspense; forced proximity

“Kissing Grae was like downing a shot of whiskey set on fire. She burned through my system in a way that would leave scars in its wake.”

This is what Catherine Cowles does: she marries gorgeous prose with the type of romance that burns. Glimmers of You, the third book of her Lost & Found series, envelopes you like a warm blanket while you bear the brunt of the cold. Grae and Caden’s romantic journey is one fraught with unrequited love, familial trauma, and an outside threat. This is what Catherine Cowles does so well: she ingratiates her characters into your soul that you hate to leave her stories. Even more, other than the details of Caden’s wealthy family, her characters are relatable. 

The crux of Grae’s story lies in her Type 1 diabetes diagnosis. Cowles deftly shows the impact of this diagnosis throughout the book. It not only affects her physically; diabetes has changed her familial relationships, causing her to strive toward greater independence. Cowles highlights the overprotectiveness of her family and early in the story, Caden’s; yet, she uses Caden’s early awareness of Grae’s frustration to help develop the awareness of the larger group. This is thoughtful in that it cultivates a stronger bond between Grae and Caden.

Additionally, Cowles’s pacing of Caden and Grae’s attraction feels “just right” for this romance. While the reader waits on tenterhooks for Caden to allow his love for Grae, it never feels overly wrought. It blooms under Grae’s empathy and understanding of Caden’s pain derived from the relationships with his father and brother and the death of his sister. Cowles shows us the power of love to heal these hurts as Grae shows she knows Caden better than anyone.

If I have any criticisms of Cowles’s storytelling, it’s the sometimes repetitiveness of her story elements, Her heroines, in general, tend to bear the trauma of her stories which can be predictable. That each of her small towns is rife with a variety of nefarious individuals could be perceived as problematic (I mean, who wants to live in a small town with so many violent individuals?). Lastly, while she does an apt job of disguising her villains, if you’re familiar with her romances, you know where to look to find them. 

Even with those thoughts, Catherine Cowles is always a must-read for me. She suspends me in the time of her books, and she makes me fall in love with her characters. I pine for her stories, impatiently waiting for the next book to come.

“Loving people means exposing ourselves to the worst kind of pain […] But it also gives us the greatest beauty we’ll ever experience.”

In love and romance,

Professor A