Title: The Summer Proposal
JANUARY 10th!

Bestselling author Staci Hart tows you along that thin line between love and hate in a brand new steamy box set featuring three romantic comedies never before seen in Kindle Unlimited.
Bet The Farm
The brooding farmhand has inherited exactly fifty percent of Brent Farm, and he’s so convinced the lactose intolerant, sunshiny city girl can’t work the land, he bets she can’t save it in a summer. When mysterious circumstances throw the farm into disarray, Olivia and Jake have to work together. But when they do, there’s more to fear than either of them imagined. Because now their hearts are on the line, and the farm won’t be the only casualty if they fail.
Pride and Papercuts (Inspired by Pride and Prejudice)
She can be civil and still hate Liam Darcy, but if she finds there’s more to him than his exterior shows, she might stumble over that line between love and hate and fall right into his arms.
For Love Or Honey
When the dark and devilish suit from the oil company comes into their small town looking to acquire the mineral rights to their bee farm, she’s certain the only trouble she’ll have is how fast to run him out of town. Too bad that’s the least of her worries, because her heart has a mind of its own.
Available now in KU! https://www.amazon.com/dp/B09PLMQSLK


The world owes you nothing.
It took losing the woman I loved and facing the paralyzing task of moving on without her for me to truly understand that.
Consumed by regret and razor-sharp memories, I’d resigned myself to a life of loneliness until a survivor from the same plane crash that took my fiancée stormed into my life.
Remi Grey was chaos and sunshine, fire and freedom. With her in my arms, I began to believe fate had other plans for me.
But as secrets of the past exploded around us, it seemed the only thing fated about our relationship was that I had been destined to lose her from the start.
The world owes you nothing. But for Remi, I would risk it all. No matter the cost.

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The Difference Between Somehow and Someway
Releasing: February 24th
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***More information coming soon***

The Difference Between Someday and Forever
Releasing: March 24th
***More information coming soon***
Add to Goodreads: https://bit.ly/3F4slNF
Cover Designer: Hang Le
Photographer: Wander Aguiar

About Aly
Originally from Savannah, Georgia, USA Today bestselling author Aly Martinez now lives in South Carolina with her husband and four young children.
Never one to take herself too seriously, she enjoys cheap wine, mystery leggings, and olives. It should be known, however, that she hates pizza and ice cream, almost as much as writing her bio in the third person.
She passes what little free time she has reading anything and everything she can get her hands on, preferably with a super-sized tumbler of wine by her side.
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I’ve loved Calder Cruz from the moment he taught me how to fly. Racing down a mountain and giving me the release I so desperately needed. My understanding. My safe space.
Hadley has fought for a life of her own ever since her sister’s kidnapping. When she was drowning in expectations and family pressures, Calder was always the one who understood her.
Until one night changed it all. From best friends to strangers in a single breath.
She’s like a fire that lives inside me. Even when I thought it was all burned out, there were still embers that lived in my bones.
Calder knows what it’s like to almost lose the people he loves most. He’ll never make that kind of mistake again. Working at the fire station and taking care of his daughters are the only things he needs.
All it takes is a single moment to make him realize how wrong he is. A split second of coming close to losing the woman he has always loved.
But as long-buried embers light anew, there are those who lurk in the shadows. And they’ll do whatever it takes to extinguish that flame for good…

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Start the series today with Tattered Stars!
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Google Play: Coming Soon
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Photographer: Michaela Mangum
Cover Design: Hang Le

About Catherine Cowles
Writer of words. Drinker of Diet Cokes. Lover of all things cute and furry, especially her dog. Catherine has had her nose in a book since the time she could read and finally decided to write down some of her own stories. When she’s not writing she can be found exploring her home state of Oregon, listening to true crime podcasts, or searching for her next book boyfriend.
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Overall Grade: 4.5 ⭐️
Kristen Ashley’s newest story, The Girl in the Mist, is reminiscent of her other newest offerings After the Climb, Chasing Serenity, and Taking the Leap. In The Girl in the Mist and After the Climb Ashley offers up an older hero and heroine who find love in their early fifties. In their coupling, Kristen Ashley does what she does best: builds a new character universe guaranteeing lots of great future stories, a worthwhile promise for her rabid fans.
The Girl in the Mist follows Delphine Larue who has recently relocated to a small town in Washington. A former popular sitcom actress and currently a successful author, Delphine has moved because she, along with her former co-stars, is being targeted and stalked by a crazed fan. Former Kristen Ashley characters, Hawk Delgado and Joe Callahan, have worked hard to find a small town to keep her protected. One day, as she settles into her new home, she sees a young girl near the lake where she lives. A few days later, this same girl comes to her door. This girl turns out to be her neighbor, and Delphine feels drawn to a sadness she sees in her. On spending time with Celeste, she realizes that Celeste needs a mother-type in her life and steps into the role. Through Celeste, Delphine meets Cade Bohannan, Celeste’s father and Delphine’s neighbor. She is instantly drawn to him. Over the course of the story, Delphine grows closer to the Bohannan clan which also includes Celeste’s brothers, Jace and Jesse. Very quickly, Cade and Delphine fall deeper into attraction and eventually into love with each other. Yet, while this is happening, murder is afoot in their sleepy town, and Cade has been tasked with trying to solve the murders while keeping Delphine protected from her own stalker. Is their love doomed, or will they find their happily-ever-after?
If you’ve ever read a Kristen Ashley story, you already know the answer to that question. It isn’t a spoiler. After reading The Girl in the Mist, I’ve been pondering why I can’t get enough of her stories. I read roughly a book a day, and there are many where I have no issue with putting them aside. Yet, with The Girl in the Mist and KA’s other stories, I can’t stop reading (or listening to) them. Seriously, I become frantic for each page, eating whole chapters in a single hour. I think it’s because KA goes deep in her storytelling. For example, The Girl in the Mist at a preliminary glance is a romantic suspense. Seemingly, there is a period at the end of that descriptor. Yet, this book is about a single dad having to raise a young girl on his own and his heroine stepping in to help fill that empty space. It’s about women who feel reduced to one identity: mother or wife, and the complications that come with that reduction. It’s about small-town politics with an incumbent sheriff who is too inept to investigate murders in his own town and the consequences of his pride and vanity. It’s about $exual politics and the labels that reduce people’s ways to love. It’s also about a soulmate type of love. There is suspense in this book, and it will keep you on the edge of your seat because, often, KA ties up all of her loose ends in the last 10% of her book. And she definitely does this here.
What KA does well is develop her characters in such a way that they are secrets at the beginning and unraveled slowly throughout the course of her book. Each unraveling gives you a little more about the character but never the whole thing, so you cannot stop reading because you want the whole character. Her pacing is a work of art. She does this time and time again in her stories, and beyond my love for her brand of romance (oftentimes small-town with some suspense, a helping of angst, and a side of humor), she hooks me every single time. I’ve stated this in reviews for Chasing Serenity and Taking the Leap, but most of my 2021 was taken up in reading her booklist. In fact, I was listening to one of her former books while reading A Girl in the Mist. That is how much her stories grab me.
Now, you have to be patient with Ashley’s stories. They are long; she writes lots of words. They have numerous threads that she takes her time in disentangling. She usually, though, has one thread that connects them all beyond the main characters. For The Girl in the Mist, there is a focus on our ability to read each other. In fact, writing is a meta-idea in this story. Whether it’s Cade trying to solve the mystery of the murders or Delphine trying to be the woman in Celeste’s life, the idea of reading is front and center in this story.
If I ever have one criticism of Kristen Ashley’s (I’ve seen this in other reviews for her other books), it’s the tinges of repetition found in her characterizations and storytelling. Just as some authors craft heroes with the same features in all of their books, Ashley carries over similar commonalities in her own. It’s her brand at this point. Additionally, I oftentimes struggle with the number of characters she incorporates into her stories. I love how she connects newer characters with some of the characters in past books, but that aside…there were times in The Girl in the Mist when I had to stop and think about which character she was referencing because there are so many.
That being said, that’s a part of her promise to her readers: options for future stories, specifically in The Misted Pines series. Did I figure out the killer? Not exactly. Let’s say I solved some of it which means there is a twist to this story. Kristen Ashley’s A Girl in the Mist is more of what she does well. Once I started this book, I simply couldn’t stop reading until its very end. By the time I left its Epilogue, however, I was satiated and simply ready for more of this series.
In love and romance,
Professor A


From New York Times bestselling author Kristen Ashley comes an all new thrilling romantic suspense guaranteed to have pulses rise, and readers begging for more.
Renowned author Delphine Larue needs a haven. A crazed fan has gone over the deep end, and she’s not safe. Her security team has suggested a house by a lake. Secluded. Private. Far away. In a beautiful area of the Northwest close to the sleepy town of Misted Pines. It’s perfect. So perfect, Delphine has just moved in, and she’s thinking she’ll stay there forever.
Until she sees the girl in the mist.
After that, everything changes.
Delphine quickly learns that Misted Pines isn’t so sleepy. A little girl has gone missing, and the town is in the grips of terror and tragedy. The local sheriff isn’t up for the job. The citizens are up in arms. And as the case unfolds, the seedy underbelly of a quiet community is exposed, layer by layer.
But most importantly, girls are dying.
There seems to be only one man they trust to find out what’s happening.
The mysterious Cade Bohannan.

Get hooked now!
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About Kristen Ashley
Kristen Ashley is the New York Times bestselling author of over sixty romance novels including the Rock Chick, Colorado Mountain, Dream Man, Chaos, Unfinished Hero, The ’Burg, Magdalene, Fantasyland, The Three, Ghost and Reincarnation, Moonlight and Motor Oil and Honey series along with several standalone novels. She’s a hybrid author, publishing titles both independently and traditionally, her books have been translated in fourteen languages and she’s sold over three million books.
Kristen’s novel, Law Man, won the RT Book Reviews Reviewers Choice Award for best Romantic Suspense. Her independently published title Hold On was nominated for RT Book Reviews best Independent Contemporary Romance and her traditionally published title Breathe was nominated for best Contemporary Romance. Kristen’s titles Motorcycle Man, The Will, Ride Steady (which won the Reader’s Choice award from Romance Reviews) and The Hookup all made the final rounds for Goodreads Choice Awards in the Romance category.
Connect with Kristen
Amazon: https://amzn.to/2FyJg18
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I have never created one of these posts because I am limited. That means there are so many stories I have yet to read so to claim a “top reads” post feels incomplete and reductive.
I know that there are so many amazing authors who have yet to make it to my Kindle. I’m reading as fast as I can.
I know that my list could be so much more diverse. BIPOC authors are necessary, and they need more readers. I’m reading as fast as I can.
But these are the stories that took hold of my heart this year. There are more trust me. Go to my Goodreads account or my blog (https://professorromance.blog), and you will see that I left off some stories from this list.
But these books stole from me…I still have book hangovers from them as we are finishing 2021 today.
Thank you to the authors who wrote:
Reel by Kennedy Ryan
Darling Venom by Parker S. Huntington
From the Embers by Aly Martinez
All In by Ashley Jade
Code of Ethics by April White
Forbidden by Karla Sorensen
Before and After You by Hope Ellis
Forrest for the Trees by Kilby Blades
For Love or Honey by Staci hart
For Lucy by Jewel E. Ann
Evie Interrupted by Alison G. Bailey
The Things We Leave Unfinished by Rebecca Yarros
Not My Match by Ilsa Madden Mills
Wrecked Palace by Catherine Cowles
Don’t Kiss the Bride by Carian Cole
Here’s to more stories in 2022! 🥂🍾 🎉
#topreads #bookblogger #romancebooksofig #romancebooksof2021 #booknerd #booklove #booksarelife

EDEN by Xavier Neal
Release Date: December 30th
Genre/Tropes: Dark, Forbidden, Taboo, MMF, Hints of Suspense, standalone
AVAILABLE NOW!!!

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Blurb:
How far will they go to protect paradise…
From a very early age, I was warned to stay away from the Lawson brothers…
It didn’t matter they weren’t biological brothers or that one had been adopted on a guilt-driven whim. They considered one another family. They shared a bond like any other brothers would.
Except it ran much deeper.
Darker.
Dirtier.
They had all the power, money, and hunger capable of destroying anyone who stood in their way as they trained to become icons the world watched every four years bring home gold medals.
Little did anyone know, there was only one thing the legends worshipped more than their beloved sport.
Me.
*This is a forbidden, taboo, MMF, dark romance novel that includes several triggers
About the Author:
Xavier Neal is a best-selling romance author who enjoys hopping from sub genre to sub genre like a game of Hopscotch she can’t resist.
In between writing, she loves to read (everything from romance to self improvement books), watch movies (old and new), eat too much Tex-Mex (her Chuy’s t-shirt collection is out of control), and watch AHL hockey games LIVE (preferably against the glass whenever possible).
She currently resides happily in Texas with her bearded husband “Lumberjack” and their two fur babies.
Connect w/Xavier:
Website: https://www.xavierneal.com
Facebook: https://www.facebook.com/XavierNealAuthorPage
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Mafia King, Dario Lucari spent years planning his revenge. Today, he executes it.
Kidnapped on my wedding day.
Held by a monster who wants vengeance on my father.
Married to him against my will.
Suddenly thrust into a world of betrayal, lies and deviance, all I have to do to escape is destroy everything I’ve ever loved, and love the man I must destroy.

Grab your copy today!
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Excerpt
How can I still be here? I clutch the sharp piece of pottery under my glove. It’s a safety blanket. A choice I can make in a situation where my decisions are meaningless.
Hovering in half consciousness, my eyes are closed when the door bangs open again and Dario enters, carrying a tall glass of water. He sets it on a dirty counter in front of me, then leans against the table, crossing one long leg over the other.
I get to my feet and approach the glass, wary but unable to stay away from it. I’ve never been this thirsty in my life; my eyeballs burn, and my tongue is cracked into layers of plaster.
Dario watches me silently, but as I reach out to take the glass, he slaps my hand away. I’m already weak and dizzy, and the force of the blow makes me stumble and spin.
“Please!” I cry. I realize I’m on my knees. I had intended to be strong, to refuse to let him see me suffer any more, but I am so, so thirsty.
“Take that stupid dress off.”
I shake my head. I’m past caring about modesty. I care about the dress. It’s ruined, but it’s mine. I worked on it for months, my fingers numb from stitching, my eyes and back aching as I labored into the night. It may be the only piece of home left to me besides my own body, and I will not take it off.
He shrugs and picks up the glass of water.
I remain defiant.
He turns to go.
And when I feel the triangle of clay inside the wrist of my glove, I think, with blinding clarity, I cannot die here.
“Okay,” I say.
He stops, turns around, but does not put down the glass.
I slip the dress off slowly, regretfully, because as awful as it looks, the fabric is still fine, soft and sweet, a reminder of who I was and what I expected so few sunrises ago. The gloves stay and so do the undergarments I wore to please Sergio because Dario just said to take off the dress and I’m weak but not dead. I’m not giving him anything he doesn’t ask for.
He places the glass back on the table. Then he sweeps a hand through the dust and dirt on its surface and sprinkles them into the water. I watch helplessly as it clouds over in the sunlight.
“Down to the skin,” he says. “Show me every inch.”
The suggestion in his command floods my dry veins with resistance.
“You said the dress.” I hold out my left hand—the one without the distorting piece of pottery under the glove. “Give it to me.”
This time, he takes a discarded nursery container and pinches out white-flecked potting soil. He drops it in the water like a chef seasoning too heavily.
“It’s going to be mud soon,” he says. “If you aren’t naked.”
“Where’s my father?” I squeak without spit. “Did he give you what you want?”
“Haven’t spoken to him since the car.”
“I don’t believe you.”
“We tried. He won’t negotiate with outsiders . . . so . . . take off all your fucking clothes.”
I do everything I can not to keep from crying as I lower my white lace underpants and slip out of my matching bra, hands shaking the entire time. I leave the gloves and garter, hoping they’re beside the point.
“I know what you’re hiding in your glove. You’re not going to kill me with a broken flower pot.”
“It wasn’t for you.”
He nods with understanding but not compassion, as if knowing suicide is on the table adds to a data point and no more, then flicks his finger at me. I peel off the gloves. The shard clatters to the floor. I am now naked except for one thing.
“The garter.”
“Not that.” I ball my hands into fists and look at the floor. “Please.”
He says nothing. I can’t see him, so I let myself hope that he’s considering letting me keep this one strip of fabric and elastic that’s tying me to this earth, to my identity, to the one person who loved me like no other. Maybe he’ll find it arousing.
I’ll risk it, even embrace it, for that glass of cloudy water.
The sound of a plop and a splash catches my attention, and I look up to see him slowly pouring a thin line of water onto the tile.
With a gasp, thoughts of my mother are gone, and I rip off the garter before I lose another precious drop, throwing it at his feet.
“There,” I say, finally bare before him, exposed as I have never been before a man.
My breath skips, and I finally cry, but I don’t have enough water in my body to make tears or snot over this destroyed moment—the first time a man’s eyes see my skin, my nipples, my utter vulnerability.
The moment I took that dress off was supposed to be one of the most beautiful of my life. Instead, it is a violation.
He isn’t satisfied yet though.
“Stay still,” he commands.
He walks behind me, hovering for a moment before grabbing my hair and yanking it back so that I’m gazing up into the camera’s merciless eye.
“Can you imagine how good it will feel,” he murmurs, his breath hot against my neck, “when I let you drink?” He lays his other hand under my chin and slides it down as he speaks. “That cold, sweet water sliding down your throat?”
I nod helplessly, gulping what feels like a lump of garden pebbles.
“Even with a little dirt, a little dust, you’ll take it all down, won’t you? You’re just about ready to beg for it.”
“I’ll beg,” I agree with a voice I don’t recognize. “I’ll do it.”
“You need it,” he says, and I can feel the cruelty of the smile in his voice.
“Please,” I whisper. “Please… please…”
“Say it for the camera.”
Who’s on the other side? His boss? My family? The entire world?
“Please give it to me.”
“Let me swallow it,” he whispers thickly. “Beg.”
“Let . . . let me swallow it all. Please.”
“I know what your body needs. And what you’ll do to get it.”
And then, just as abruptly as he’d grabbed me, he spins me around so that I’m facing him and he pushes me to my knees.
“This will go much easier for you if you play along,” he murmurs.
I’m so weak and dizzy I almost tip over before he pulls me up by the hair on top of my head.
“Steady, principessa.” With his free hand, he opens the fly of his pants, exposing the thick bulge beneath cotton underwear.
He’s going to take it out and force me to taste his cock. Take it down my throat. Swallow his come.
I’ve spent my life waiting for this, and I don’t want it this way . . . but I want it. My body aches to just give up, taste whatever he puts on my tongue. I look up at him, offering whatever he’s willing to take as long as he gives me something to drink.
But he does not release his erection.
Instead, he pulls my head into his crotch. The fabric is damp on my lips, heavy and musty on my nose as he grinds into my face. And he’s hard. So hard. He forces the shape of his shaft along the opening between my lips, and I taste no more than an essence of him . . . but it’s enough. My clit fills and drops, weighted by a constant, brutal pulse of arousal that’s timed to the way he pushes into my face, holding my head still.
My hands steady me against his thighs, then pull him closer.
I want it.
I surrender.
I’ll suck him for water or a glass of sand.
Why is he keeping it behind his clothes?
“Yes,” he growls, putting both hands behind my head and pushing me into his crotch so hard his erection feels like stone on my chin.
I put out my tongue, licking the damp fabric. He stops for a moment. His growl turns into a gasp, and the clothed organ against me pulses. A warm wetness gathers at my cheek.
Then he lets me go, and I fall back on my hands, gasping as I notice the thick wet stain where he came as I licked him.
“Okay,” he says, zipping up. He’s bored again, casual as he hands the glass to me by the top. “You can drink now.”
I do. I am shameless and desperate. I hold it with both hands and savor every drop, dirt and all.
He leaves before I finish, apparently not interested in watching me debase myself further.
I lie naked where he left me, legs in the letter K, bare skin on cold tile, the empty glass a few inches from my hand, watching the clouds form in the grid above me.
The door clicks and whooshes open. The room spins when I bolt to a sitting position. A tray of food, accompanied by a whole pitcher of water, is pushed across the threshold.
The door claps shut again, and the deadbolt smacked home.
I glance at the camera. He’s watching. He has to be.
I should stand up and walk like a human, but by the time I finish making that decision, I’m already crawling on my hands and knees like an animal.
The tray contains a plastic clamshell with a sandwich inside—pink meat spills from a circle of bread split into a pocket. Hushing the raging hunger for a moment, I peek into the pocket and find cheese and the familiarity of mayonnaise. A pink container of yogurt proudly proclaims—next to a bulbous strawberry—that it has REAL FRUIT inside.
I rip it open, ready to suck it down, but I stop.
I stand carefully, my head still swimming not just from my hunger and thirst and poor night’s sleep, but from what just happened. I walk over to my discarded pile of garments and put them on again: the underwear and bra, the ruined dress, my shoes—one close by and one under the camera. I slide the garter up my leg.
I leave the gloves and shard.
Then I put the tray on the counter, right a white plastic chair that matches the one on the roof, and—dressed in silk garments that were once a hopeful symbol of my purity but are now nothing more than a painful, ridiculous reminder of everything I have lost—I hydrate and nourish myself, dreaming of the day I escape the man named Dario with shadow eyes and an empty heart.
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About CD Reiss
CD Reiss is a New York Times bestseller. She still has to chop wood and carry water, which was buried in the fine print. Her lawyer is working it out with God but in the meantime, if you call and she doesn’t pick up she’s at the well hauling buckets.
Born in New York City, she moved to Hollywood, California to get her master’s degree in screenwriting from USC. In case you want to know, that went nowhere but it did give her a big enough ego to write novels.
She’s frequently referred to as the Shakespeare of Smut which is flattering but hasn’t ever gotten her out of chopping that cord of wood.
If you meet her in person, you should call her Christine.
Connect with Christine
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